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[间接画像。精神分析小组中一种非言语交流的尝试]

[Indirect portraits. An attempt of non-verbal communication in a psychoanalytic group].

作者信息

Kraft H

出版信息

Confin Psychiatr. 1977;20(1):26-60.

PMID:884954
Abstract

A collection of 7 own drawing and 15 related sketches are presented. They have been produced during the time of my participation in an analytic group. Fairly detailed information can be given about how the drawing process developed (first inspiration, initial situation, considerations during drawing). The formative and constituent elements of the drawing conceived consciously during its production are contrasted with those that have only later become conscious. The discussion of this own series of drawings and sketches should facilitate the comprehension of, and approach to, the drawings of the patients, which can also be considered to be 'indirect portraits' of their own personality and of their current environmental situatiion. The drawings were also an attempt at better integration in the group, with regard to group interaction. Advantages and disadvantages of this trial in nonverbal communication are discussed.

摘要

展示了7幅本人画作和15幅相关草图。它们是在我参加一个分析小组期间创作的。可以给出关于绘画过程如何发展的相当详细的信息(最初的灵感、初始情境、绘画过程中的思考)。将绘画创作过程中自觉构思的构成要素与那些后来才变得清晰的要素进行对比。对这一系列本人的画作和草图的讨论应有助于理解患者的画作,并接近这些画作,这些画作也可被视为他们自身个性和当前环境状况的“间接画像”。这些画作也是在群体互动方面更好地融入小组的一种尝试。讨论了这种非言语交流尝试的优缺点。

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