Jeffrey W D
Int J Psychoanal. 1995 Oct;76 ( Pt 5):1007-15.
The author discusses Kafka's enthralment with the Yiddish theatre, which performed in Prague in the autumn and winter of 1911. Examination of Kafka's 'Diaries' suggests that an important factor in this response was his infatuation with two actresses. They evoked fantasies of avoiding oedipal conflict by surrendering adult male sexuality and its threat of castration by regressing to a prephallic relationship with a maternal woman who would provide a nurturing relationship. Later, when writing the final chapter of his novel 'Amerika' in 1914, he creatively expressed a derivation of this fantasy when the protagonist, Karl Rossman, achieved a sort of salvation by joining the Oklahoma theatre. In the final year of his life Kafka was able to leave home to live with a woman, and in this achievement he fulfilled aspects of this fantasy.
作者探讨了卡夫卡对1911年秋冬在布拉格演出的意第绪语剧院的痴迷。对卡夫卡《日记》的审视表明，这种反应的一个重要因素是他对两位女演员的迷恋。她们引发了他的幻想，即通过回归与一位能给予滋养关系的母亲般的女性的前生殖器期关系，放弃成年男性的性欲及其阉割威胁，从而避免俄狄浦斯冲突。后来，1914年他在创作小说《美国》的最后一章时，当主人公卡尔·罗斯曼通过加入俄克拉荷马剧院获得某种救赎时，他创造性地表达了这种幻想的一种变体。在生命的最后一年，卡夫卡能够离家与一名女子生活在一起，在这一成就中他实现了这种幻想的一些方面。
