Ogden T
Int J Psychoanal. 1997 Aug;78 ( Pt 4):719-32.
In this paper, the author presents parts of an ongoing internal dialogue concerning how he works as an analyst. He describes the way in which he attempts to sense what is most alive and most real in each analytic encounter, as well as his use of his own reveries in his effort to locate himself in what is going on at an unconscious level in the analytic relationship. The author views each analytic situation as reflecting, to a large degree, a specific type of unconscious intersubjective construction. Since unconscious experience is by definition outside of conscious awareness, the analyst must make use of indirect (associational) methods such as the scrutiny of his own reverie experience in his efforts to 'catch the drift' (Freud, 1923, p. 239) of the unconscious intersubjective constructions being generated. Reveries (and all other derivatives of the unconscious) are viewed not as glimpses into the unconscious, but as metaphorical expressions of what the unconscious experience is like. In the author's experience, when an analysis is 'a going concern', the analytic dialogue often takes the form of a verbal 'squiggle game' (Winnicott, 1971a, p. 3) in which the analytic pair elaborates and modifies the metaphors that the other has unself-consciously introduced. The analytic use of reverie and of the role of metaphor in the analytic experience is clinically illustrated.
在本文中,作者呈现了一段关于他作为分析师工作方式的持续内心对话的部分内容。他描述了自己试图在每次分析过程中感知最鲜活、最真实事物的方式,以及他如何利用自己的幻想,努力置身于分析关系中无意识层面正在发生的事情之中。作者认为,每种分析情境在很大程度上反映了一种特定类型的无意识主体间建构。由于无意识体验从定义上讲处于意识觉知之外,分析师必须运用间接(联想性)方法,比如仔细审视自己的幻想体验,以便努力“捕捉”(弗洛伊德,1923,第239页)正在产生的无意识主体间建构的“脉络”。幻想(以及无意识的所有其他衍生物)并非被视为对无意识的瞥见,而是无意识体验的隐喻性表达。根据作者的经验,当分析“进展顺利”时,分析对话常常采取言语“涂鸦游戏”(温尼科特,1971a,第3页)的形式,在这个游戏中,分析双方会详细阐述并修改对方无意识引入的隐喻。文中通过临床案例说明了幻想在分析中的运用以及隐喻在分析体验中的作用。