Ogden T H
Psychoanal Q. 1998 Jul;67(3):426-48.
The author discusses the notion of voice as a contribution to the development of a set of ideas and an attendant vocabulary adequate for describing the richness and complexity of language usage in the analytic setting. In a discussion of the sounds, movement, and texture of voice in poems by Robert Frost and Wallace Stevens, the author illustrates ways in which a listener attempts to experience how a speaker creates a voice and brings himself to life through his use of language. The layering of sounds and feelings in voice is discussed in terms of the creation of "oversounds" derived from the experience of analyst and analysand in the jointly constructed unconscious "analytic third."
作者探讨了声音这一概念，认为它有助于形成一套思想以及与之相应的词汇，从而足以描述分析情境中语言使用的丰富性和复杂性。在讨论罗伯特·弗罗斯特和华莱士·史蒂文斯诗歌中声音、韵律及语调时，作者举例说明了听众试图体验说话者如何通过语言运用塑造声音并展现自我的方式。声音中声音与情感的层次，是从分析师与被分析者在共同构建的无意识“分析第三者”中的体验所衍生出的“超声音”的创造角度来探讨的。
