Ogden T H
Int J Psychoanal. 1999 Oct;80 ( Pt 5):979-94. doi: 10.1516/0020757991599197.
The author presents a close reading of a Frost poem and a detailed discussion of an analytic session. Using specific examples from the poem and from the analytic session, he then offers some thoughts concerning the relationship between the way he listens to the language of the poem and the way he and his patient speak with and listen to one another. The author illustrates in this reading of the poem and in the way he speaks to his patient that he is not primarily engaged in an effort to unearth what lies 'behind' the poem's words and symbols or 'beneath' the patient's report of a dream or of a life event. Instead (or perhaps more accurately, in addition), he attempts to listen to the sound and feel of 'what's going on', to the 'music of what happens'. This is achieved to a significant degree in the analytic setting by means of the analyst's attending to his own reverie experience.
作者对一首弗罗斯特的诗作了细致解读，并对一次分析性会谈进行了详细讨论。然后，他借助诗中和分析性会谈中的具体例子，就自己聆听诗中语言的方式与他和患者彼此交谈及倾听的方式之间的关系，提出了一些思考。在对这首诗的解读以及他与患者的交谈方式中，作者表明他主要并非致力于挖掘隐藏在诗的文字和象征“背后”或患者对梦或生活事件的叙述“之下”的东西。相反（或者也许更准确地说，除此之外），他试图倾听“正在发生之事”的声音和感觉，倾听“所发生之事的韵律”。在分析情境中，通过分析师关注自己的遐想体验，在很大程度上实现了这一点。
