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不同音节结构和语速下声调与音节对齐的一致性。

Consistency of tone-syllable alignment across different syllable structures and speaking rates.

作者信息

Xu Y

机构信息

Department of Communication Sciences and Disorders, Program of Speech and Language Pathology, Northwestern University, Evanston, Ill., USA.

出版信息

Phonetica. 1998 Oct-Dec;55(4):179-203. doi: 10.1159/000028432.

Abstract

Previous studies have reported that F0 contours of lexical tones in Mandarin are closely aligned with the syllables that carry them and that this alignment is late-adjusted so that the most appropriate F0 contour of a tone occurs mainly in the later portion of the host syllable. These studies, however, examined tone alignment only in syllables with a simple CV structure. The present study compared tone-syllable alignment patterns in syllables with a final nasal (the only final consonant allowed in Mandarin) to those without a final nasal at three speaking rates - normal, fast and slow. Experiment 1 found that regardless of internal syllable structure, the F0 contours for all of the four Mandarin tones maintain a consistent alignment to the syllables that carry them. Experiment 2 found that whether or not the syllable has a final nasal and regardless of speaking rate, the F0 peak associated with the R (rising) tone always occurs near the offset of the R-tone-carrying syllable, the onset of the F0 rise always occurs near the center of the syllable and the slope of the rise does not vary systematically with either syllable structure or speaking rate. These findings are interpreted as indicating that the syllable is the proper domain for tone implementation and that tone contours such as rising and falling are probably implemented as integral dynamic targets rather than as sequences of static targets.

摘要

以往的研究报道,汉语中声调的F0轮廓与承载声调的音节紧密对齐,且这种对齐会进行后期调整,使得声调最适当的F0轮廓主要出现在主音节的后半部分。然而,这些研究仅考察了具有简单CV结构音节中的声调对齐情况。本研究在正常、快速和慢速三种语速下,比较了带有鼻音韵尾(汉语中唯一允许的韵尾辅音)的音节和没有鼻音韵尾的音节中的声调-音节对齐模式。实验1发现,无论音节内部结构如何,汉语四个声调的F0轮廓与承载它们的音节都保持一致的对齐。实验2发现,无论音节是否有鼻音韵尾,也无论语速如何,与阳平(上升)调相关的F0峰值总是出现在承载阳平调音节的末尾附近,F0上升的起始点总是出现在音节的中部附近,且上升的斜率不会随音节结构或语速而系统变化。这些发现被解释为表明音节是声调实现的合适域,且诸如升调和降调等声调轮廓可能是以整体动态目标而非静态目标序列的形式来实现的。

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