Kelso J A, Fink P W, DeLaplain C R, Carson R G
Center for Complex Systems and Brain Sciences, Florida Atlantic University, 777 Glades Road, Boca Raton, FL 33421, USA.
Proc Biol Sci. 2001 Jun 7;268(1472):1207-13. doi: 10.1098/rspb.2001.1620.
Goal-directed, coordinated movements in humans emerge from a variety of constraints that range from 'high-level' cognitive strategies based on perception of the task to 'low-level' neuromuscular-skeletal factors such as differential contributions to coordination from flexor and extensor muscles. There has been a tendency in the literature to dichotomize these sources of constraint, favouring one or the other rather than recognizing and understanding their mutual interplay. In this experiment, subjects were required to coordinate rhythmic flexion and extension movements with an auditory metronome, the rate of which was systematically increased. When subjects started in extension on the beat of the metronome, there was a small tendency to switch to flexion at higher rates, but not vice versa. When subjects were asked to contact a physical stop, the location of which was either coincident with or counterphase to the auditory stimulus, two effects occurred. When haptic contact was coincident with sound, coordination was stabilized for both flexion and extension. When haptic contact was counterphase to the metronome, coordination was actually destabilized, with transitions occurring from both extension to flexion on the beat and from flexion to extension on the beat. These results reveal the complementary nature of strategic and neuromuscular factors in sensorimotor coordination. They also suggest the presence of a multimodal neural integration process - which is parametrizable by rate and context - in which intentional movement, touch and sound are bound into a single, coherent unit.
人类中有目标的、协调的运动源于多种限制因素,这些因素涵盖了从基于任务感知的“高级”认知策略到“低级”神经肌肉骨骼因素,比如屈肌和伸肌对协调的不同贡献。在文献中存在一种将这些限制因素二分法的倾向,倾向于支持其中一方而非认识和理解它们之间的相互作用。在这个实验中,要求受试者随着节拍器有节奏地协调屈伸运动,节拍器的速度会系统地增加。当受试者在节拍器节拍开始时处于伸展状态,在较高速度时有小幅转向屈曲的倾向,但反之则不然。当要求受试者接触一个物理止动装置,其位置与听觉刺激要么一致要么相反时,出现了两种效应。当触觉接触与声音一致时,屈伸的协调性都得到了稳定。当触觉接触与节拍器相反时,协调性实际上变得不稳定,在节拍上既有从伸展到屈曲的转变,也有从屈曲到伸展的转变。这些结果揭示了感觉运动协调中策略性因素和神经肌肉因素的互补性质。它们还表明存在一个多模态神经整合过程——这个过程可由速度和情境参数化——在这个过程中,有意运动、触觉和声音被整合为一个单一的、连贯的单元。