Changizi Mark A, Shimojo Shinsuke
Sloan-Swartz Center for Theoretical Neurobiology, MC 139-74, Caltech, Pasadena, CA 91125, USA.
Proc Biol Sci. 2005 Feb 7;272(1560):267-75. doi: 10.1098/rspb.2004.2942.
A writing system is a visual notation system wherein a repertoire of marks, or strokes, is used to build a repertoire of characters. Are there any commonalities across writing systems concerning the rules governing how strokes combine into characters; commonalities that might help us identify selection pressures on the development of written language? In an effort to answer this question we examined how strokes combine to make characters in more than 100 writing systems over human history, ranging from about 10 to 200 characters,and including numerals, abjads, abugidas, alphabets and syllabaries from five major taxa: Ancient Near-Eastern, European, Middle Eastern, South Asian, Southeast Asian. We discovered underlying similarities in two fundamental respects. (i) The number of strokes per characters is approximately three, independent of the number of characters in the writing system; numeral systems are the exception, having on average only two strokes per character. (ii) Characters are ca. 50% redundant, independent of writing system size; intuitively, this means that acharacter's identity can be determined even when half of its strokes are removed. Because writing systems are under selective pressure to have characters that are easy for the visual system to recognize and for the motor system to write, these fundamental commonalities may be a fingerprint of mechanisms underlying the visuo-motor system.
书写系统是一种视觉符号系统,其中一系列的标记或笔画被用来构建一系列的字符。在书写系统中,关于笔画如何组合成字符的规则是否存在共性?这些共性是否有助于我们识别书面语言发展过程中的选择压力?为了回答这个问题,我们研究了人类历史上100多种书写系统中笔画如何组合成字符,这些书写系统包含约10到200个字符,包括来自五个主要分类的数字、辅音音素文字、元音附标文字、字母表和音节文字:古代近东、欧洲、中东、南亚、东南亚。我们在两个基本方面发现了潜在的相似之处。(i)每个字符的笔画数约为三个,与书写系统中的字符数量无关;数字系统是例外,每个字符平均只有两个笔画。(ii)字符约50%是冗余的,与书写系统的大小无关;直观地说,这意味着即使一个字符的一半笔画被去掉,其身份仍然可以确定。由于书写系统面临着选择压力,要求字符易于视觉系统识别且易于运动系统书写,这些基本共性可能是视觉运动系统潜在机制的一个特征。