Schutz Michael, Lipscomb Scott
School of Music, Northwestern University, Evanston, IL 60208, USA.
Perception. 2007;36(6):888-97. doi: 10.1068/p5635.
Percussionists inadvertently use visual information to strategically manipulate audience perception of note duration. Videos of long (L) and short (S) notes performed by a world-renowned percussionist were separated into visual (Lv, Sv) and auditory (La, Sa) components. Visual components contained only the gesture used to perform the note, auditory components the acoustic note itself. Audio and visual components were then crossed to create realistic musical stimuli. Participants were informed of the mismatch, and asked to rate note duration of these audio-visual pairs based on sound alone. Ratings varied based on visual (Lv versus Sv), but not auditory (La versus Sa) components. Therefore while longer gestures do not make longer notes, longer gestures make longer sounding notes through the integration of sensory information. This finding contradicts previous research showing that audition dominates temporal tasks such as duration judgment.
打击乐手会不经意地利用视觉信息,从策略上操控观众对音符时长的感知。一位世界著名打击乐手演奏长(L)音符和短(S)音符的视频被分离为视觉(Lv、Sv)和听觉(La、Sa)成分。视觉成分仅包含演奏音符时使用的手势,听觉成分则是音符本身的声音。然后将音频和视觉成分交叉组合,以创建逼真的音乐刺激。参与者被告知这种不匹配情况,并被要求仅根据声音对这些视听组合的音符时长进行评分。评分因视觉成分(Lv与Sv)而异,但不因听觉成分(La与Sa)而有所不同。因此,虽然较长的手势并不会使音符变长,但较长的手势通过感官信息的整合,会使音符听起来更长。这一发现与之前的研究相矛盾,之前的研究表明听觉在诸如时长判断等时间任务中占主导地位。