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一位早期失明画家绘画的神经与行为关联:一项案例研究。

Neural and behavioral correlates of drawing in an early blind painter: a case study.

作者信息

Amedi Amir, Merabet Lotfi B, Camprodon Joan, Bermpohl Felix, Fox Sharon, Ronen Itamar, Kim Dae-Shik, Pascual-Leone Alvaro

机构信息

Berenson-Allen Center for Noninvasive Brain Stimulation, Beth Israel Deaconess Medical Center, Harvard Medical School, Boston, MA 02115, USA.

出版信息

Brain Res. 2008 Nov 25;1242:252-62. doi: 10.1016/j.brainres.2008.07.088. Epub 2008 Jul 30.

Abstract

Humans rely heavily on vision to identify objects in the world and can create mental representations of the objects they encounter. Objects can also be identified and mentally represented through haptic exploration. However, it is unclear whether prior visual experience is necessary to generate these internal representations. Subject EA, an early blind artist, provides insight into this question. Like other blind individuals, EA captures the external world by touch. However, he is also able to reveal his internal representations through highly detailed drawings that are unequivocally understandable by a sighted person. We employed fMRI to investigate the neural correlates associated with EA's ability to transform tactilely explored three-dimensional objects into drawings and contrasted these findings with a series of control conditions (e.g. nonsensical scribbling as a sensory-motor control). Activation during drawing (compared to scribbling) occurred in brain areas normally associated with vision, including the striate cortex along with frontal and parietal cortical regions. Some of these areas showed overlap when EA was asked to mentally imagine the pictures he had to draw (albeit to a lesser anatomical extent and signal magnitude). These results have important implications as regards our understanding of the ways in which tactile information can generate mental representations of shapes and scenes in the absence of normal visual development. Furthermore, these findings suggest the occipital cortex plays a key role in supporting mental representations even without prior visual experience.

摘要

人类在很大程度上依赖视觉来识别世界中的物体,并能对他们遇到的物体形成心理表征。物体也可以通过触觉探索来识别并在心理上加以表征。然而,尚不清楚生成这些内部表征是否需要先前的视觉经验。早期失明的艺术家EA为这个问题提供了见解。和其他盲人一样,EA通过触摸来感知外部世界。然而,他还能够通过高度细致的绘画来展现自己的内部表征,这些绘画能让有视力的人完全理解。我们使用功能磁共振成像(fMRI)来研究与EA将通过触觉探索的三维物体转化为绘画的能力相关的神经关联,并将这些发现与一系列对照条件(如作为感觉运动控制的无意义涂鸦)进行对比。与涂鸦相比,绘画过程中的激活发生在通常与视觉相关的脑区,包括纹状皮质以及额叶和顶叶皮质区域。当要求EA在脑海中想象他要画的图片时,其中一些区域出现了重叠(尽管在解剖范围和信号强度上程度较小)。这些结果对于我们理解在缺乏正常视觉发育的情况下触觉信息如何生成形状和场景的心理表征具有重要意义。此外,这些发现表明,即使没有先前的视觉经验,枕叶皮质在支持心理表征方面也起着关键作用。

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