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同步性与意义构建的心灵。

Synchronicity and the meaning-making psyche.

作者信息

Colman Warren

机构信息

St. Albans, UK.

出版信息

J Anal Psychol. 2011 Sep;56(4):471-91. doi: 10.1111/j.1468-5922.2011.01924.x.

Abstract

This paper contrasts Jung's account of synchronicity as evidence of an objective principle of meaning in Nature with a view that emphasizes human meaning-making. All synchronicities generate indicative signs but only where this becomes a 'living symbol' of a transcendent intentionality at work in a living universe does synchronicity generate the kind of symbolic meaning that led Jung to posit the existence of a Universal Mind. This is regarded as a form of personal, experiential knowledge belonging to the 'imaginal world of meaning' characteristic of the 'primordial mind', as opposed to the 'rational world of knowledge' in which Jung attempted to present his experiences as if they were empirically and publicly verifiable. Whereas rational knowledge depends on a form of meaning in which causal chains and logical links are paramount, imaginal meaning is generated by forms of congruent correspondence-a feature that synchronicity shares with metaphor and symbol-and the creation of narratives by means of retroactive organization of its constituent elements.

摘要

本文将荣格关于同步性是自然中一种客观意义原则的证据的观点,与一种强调人类意义构建的观点进行了对比。所有的同步性都会产生指示性符号,但只有当这成为一个在有生命的宇宙中起作用的超验意向性的“活的象征”时,同步性才会产生那种使荣格假定存在普遍心智的象征意义。这被视为一种属于“原初心智”所特有的“意义的想象世界”的个人体验性知识形式,与荣格试图将其体验呈现为好像是经验性且可公开验证的“理性知识世界”相对。理性知识依赖于一种因果链和逻辑联系至关重要的意义形式,而想象意义则由一致对应的形式产生——同步性与隐喻和象征共有的一个特征——以及通过对其组成元素的追溯性组织来创造叙事。

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