Centre for Cognition, Computation and Culture, Goldsmiths, University of London Centre for Digital Music, Queen Mary, University of London, UK.
Top Cogn Sci. 2012 Oct;4(4):625-52. doi: 10.1111/j.1756-8765.2012.01214.x. Epub 2012 Jul 30.
Following in a psychological and musicological tradition beginning with Leonard Meyer, and continuing through David Huron, we present a functional, cognitive account of the phenomenon of expectation in music, grounded in computational, probabilistic modeling. We summarize a range of evidence for this approach, from psychology, neuroscience, musicology, linguistics, and creativity studies, and argue that simulating expectation is an important part of understanding a broad range of human faculties, in music and beyond.
我们继心理和音乐学传统（始于 Leonard Meyer，延续至 David Huron）之后，提出了一个基于计算和概率模型的音乐期待现象的功能认知解释。我们从心理学、神经科学、音乐学、语言学和创造力研究等领域总结了一系列支持这一方法的证据，并认为模拟期待是理解音乐和其他领域广泛人类能力的重要组成部分。
