Computer Science Department, University of Buenos Aires, 1428 Buenos Aires, Argentina.
Proc Natl Acad Sci U S A. 2013 Jun 11;110(24):10034-8. doi: 10.1073/pnas.1222336110. Epub 2013 May 28.
The brain processes temporal statistics to predict future events and to categorize perceptual objects. These statistics, called expectancies, are found in music perception, and they span a variety of different features and time scales. Specifically, there is evidence that music perception involves strong expectancies regarding the distribution of a melodic interval, namely, the distance between two consecutive notes within the context of another. The recent availability of a large Western music dataset, consisting of the historical record condensed as melodic interval counts, has opened new possibilities for data-driven analysis of musical perception. In this context, we present an analytical approach that, based on cognitive theories of music expectation and machine learning techniques, recovers a set of factors that accurately identifies historical trends and stylistic transitions between the Baroque, Classical, Romantic, and Post-Romantic periods. We also offer a plausible musicological and cognitive interpretation of these factors, allowing us to propose them as data-driven principles of melodic expectation.
大脑处理时间统计信息以预测未来事件并对感知对象进行分类。这些被称为期望的统计信息存在于音乐感知中,涵盖了各种不同的特征和时间尺度。具体来说,有证据表明,音乐感知涉及到对旋律间隔分布的强烈期望,即在另一个旋律语境中两个连续音符之间的距离。最近,一个大型西方音乐数据集的出现为音乐感知的数据分析提供了新的可能性,该数据集包含了历史记录的浓缩,即旋律间隔的计数。在这种情况下,我们提出了一种分析方法,该方法基于音乐期望的认知理论和机器学习技术,能够恢复一组因素,这些因素可以准确地识别出巴洛克、古典、浪漫和后浪漫时期之间的历史趋势和风格转变。我们还对这些因素进行了合理的音乐学和认知解释,使我们能够将其作为旋律期望的基于数据的原则进行提出。