Hyman I E, Rubin D C
Department of Psychology, Emory University, Atlanta, GA 30322.
Mem Cognit. 1990 Mar;18(2):205-14. doi: 10.3758/bf03197096.
Seventy-six undergraduates were given the titles and first lines of Beatles' songs and asked to recall the songs. Seven hundred and four different undergraduates were cued with one line from each of 25 Beatles' songs and asked to recall the title. The probability of recalling a line was best predicted by the number of times a line was repeated in the song and how early the line first appeared in the song. The probability of cuing to the title was best predicted by whether the line shared words with the title. Although the subjects recalled only 21% of the lines, there were very few errors in recall, and the errors rarely violated the rhythmic, poetic, or thematic constraints of the songs. Acting together, these constraints can account for the near verbatim recall observed. Fourteen subjects, who transcribed one song, made fewer and different errors than the subjects who had recalled the song, indicating that the errors in recall were not primarily the result of errors in encoding.
76名本科生被给出披头士乐队歌曲的标题和第一句歌词,并被要求回忆整首歌曲。704名不同的本科生则被给出25首披头士乐队歌曲中每首歌的一句歌词作为线索,并被要求回忆歌曲标题。回忆一句歌词的概率最好由这句歌词在歌曲中重复的次数以及这句歌词在歌曲中首次出现的时间来预测。通过线索回忆出歌曲标题的概率最好由这句歌词是否与标题有相同的词来预测。尽管受试者只回忆出了21%的歌词,但回忆中的错误很少,而且这些错误很少违反歌曲的节奏、诗意或主题限制。这些限制共同作用,可以解释所观察到的近乎逐字逐句的回忆。14名抄写了一首歌的受试者所犯的错误比回忆这首歌的受试者更少且不同,这表明回忆中的错误并非主要由编码错误导致。