Kiefer Adam W, Riley Michael A, Shockley Kevin, Sitton Candace A, Hewett Timothy E, Cummins-Sebree Sarah, Haas Jacqui G
Department of Cognitive, Linguistic and Psychological Sciences, Brown University, Providence, Rhode Island, USA; Department of Psychology, University of Cincinnati, 3333 Burnet Avenue, MLC 10001, Cincinnati, Ohio 45229, USA.
J Dance Med Sci. 2013 Sep;17(3):126-32. doi: 10.12678/1089-313x.17.3.126.
Enhanced proprioceptive feedback strengthens synergistic muscle groups and stabilizes the coordination of limbs, thus contributing to the movement efficiency of ballet dancers. The present study compared lower-limb proprioceptive awareness in professional ballet dancers to matched controls who had no dance training. Two assessment methods were used to test the hypothesis that ballet dancers would demonstrate increased proprioceptive awareness in the ankle, knee, and hip: 1. a joint-position matching task to assess static proprioceptive joint awareness, and 2. an eyes-closed, quiet standing task to assess both static and dynamic proprioceptive awareness through measures of center of pressure (COP) variability. Results of the matching task indicated that the dancers exhibited greater proprioceptive awareness than controls for all three joints (p < 0.001). Also, dancers were equally aware of the positioning of their ankle, knee, and hip joints (p > 0.05), whereas controls were less aware of their ankle position compared to their knee and hip joints (p < 0.001). Measures indexing COP variability during quiet standing did not differ between groups and thus failed to reflect increased proprioceptive awareness in dancers (all p > 0.05). This indicates that quiet stance may have limited value as a means for evaluating proprioception. These findings provide preliminary evidence that enhanced proprioceptive awareness of lower limb joints should be considered as an evaluative criterion for dancers' ability to learn complex ballet skills. They also indicate that quiet standing tasks may not provide sufficient challenge for dancers' enhanced proprioceptive awareness to manifest.
增强的本体感觉反馈可强化协同肌群并稳定肢体协调性,从而提升芭蕾舞舞者的运动效率。本研究比较了专业芭蕾舞舞者与未接受舞蹈训练的匹配对照组的下肢本体感觉。采用两种评估方法来检验芭蕾舞舞者在脚踝、膝盖和髋关节处本体感觉增强这一假设:1. 一项关节位置匹配任务,用于评估静态本体感觉关节意识;2. 一项闭眼安静站立任务,通过压力中心(COP)变异性测量来评估静态和动态本体感觉意识。匹配任务的结果表明,舞者在所有三个关节处均表现出比对照组更强的本体感觉意识(p < 0.001)。此外,舞者对其脚踝、膝盖和髋关节的位置感知程度相同(p > 0.05),而对照组对脚踝位置的感知低于膝盖和髋关节(p < 0.001)。安静站立期间衡量COP变异性的指标在两组之间并无差异,因此未能反映出舞者本体感觉意识的增强(所有p > 0.05)。这表明安静站姿作为评估本体感觉的手段,其价值可能有限。这些发现提供了初步证据,即下肢关节本体感觉增强应被视为舞者学习复杂芭蕾舞技巧能力的一项评估标准。它们还表明,安静站立任务可能无法为舞者增强的本体感觉意识提供足够的挑战来显现。