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弓弦乐器演奏者的生物力学研究:一项范围界定研究。

Biomechanical research on bowed string musicians: a scoping study.

作者信息

Kelleher Leila K, Campbell Kody R, Dickey James P

机构信息

School of Kinesiology, Faculty of Health Sciences, Western University, London, ON N6A 5B9, Canada. Tel +1 519 661 2111 x80484, fax 519-661-2008.

出版信息

Med Probl Perform Art. 2013 Dec;28(4):212-8.

Abstract

UNLABELLED

Performing arts biomechanics is concerned with quantifying the musculoskeletal demands of artistic tasks. The growing body of related research has prompted this scoping study, solely focused on quantitative research, to summarize the state of the science, identify knowledge gaps, and identify opportunities for future research.

OBJECTIVES

To identify, summarize, and categorize quantitative research on the biomechanics of violin, viola, cello, and double bass players, using scoping study methodology.

METHODS

Established scoping study methodology was used to identify and categorize existing research. We identified 74 articles for review. Of these, 34 met our scoping study criteria and were included in this study.

RESULTS

Twenty-one of the 34 articles that met the scoping criteria were published since 2000. Investigations using electromyography (16 studies) and kinematics (15 studies) comprise the bulk of the research. Two studies employed force transducers for data collection. Violinists were the most frequently studied musicians (22 studies) and double bass players were the least (1 study). Fewer than half of the studies used solely professional musicians as their subjects (13 studies).

CONCLUSIONS

This scoping study confirmed that quantitative biomechanical research into bowed string musicians has been performed with increasing frequency and that there are voids in the research, particularly in investigating mechanisms of injury and protective strategies. Currently, arts biomechanics research is largely descriptive in nature. There are few studies that investigate protective strategies, although it is expected that the field will progress to incorporate this type of research.

摘要

未标注

表演艺术生物力学关注于量化艺术任务对肌肉骨骼的要求。相关研究的不断增加促使了这项范围界定研究的开展,该研究仅聚焦于定量研究,旨在总结科学现状、识别知识空白并确定未来研究的机会。

目的

使用范围界定研究方法,识别、总结并分类关于小提琴、中提琴、大提琴和低音提琴演奏者生物力学的定量研究。

方法

采用既定的范围界定研究方法来识别和分类现有研究。我们识别出74篇文章以供审查。其中,34篇符合我们的范围界定研究标准并被纳入本研究。

结果

符合范围界定标准的34篇文章中,有21篇自2000年以来发表。使用肌电图(16项研究)和运动学(15项研究)的调查占研究的大部分。两项研究使用力传感器进行数据收集。小提琴演奏者是研究最频繁的音乐家(22项研究),低音提琴演奏者最少(1项研究)。不到一半的研究仅以专业音乐家为研究对象(13项研究)。

结论

这项范围界定研究证实,对弓弦乐器演奏者的定量生物力学研究频率不断增加,且研究存在空白,特别是在损伤机制和保护策略的研究方面。目前,艺术生物力学研究在很大程度上是描述性的。很少有研究调查保护策略,尽管预计该领域将发展以纳入这类研究。

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