Christensen Julia F, Nadal Marcos, Cela-Conde Camilo José
Perception. 2014;43(2-3):178-206. doi: 10.1068/p7581.
Dance stimuli have been used in experimental studies of (i) how movement is processed in the brain; (ii) how affect is perceived from bodily movement; and (iii) how dance can be a source of aesthetic experience. However, stimulus materials across--and even within--these three domains of research have varied considerably. Thus, integrative conclusions remain elusive. Moreover, concerns have been raised that the movements selected for such stimuli are qualitatively too different from the actual art form dance, potentially introducing noise in the data. We propose a library of dance stimuli which responds to the stimuli requirements and design criteria of these three areas of research, while at the same time respecting a dance art-historical perspective, offering greater ecological validity as compared with previous dance stimulus sets. The stimuli are 5-6 s long video clips, selected from genuine ballet performances. Following a number of coding experiments, the resulting stimulus library comprises 203 ballet dance stimuli coded in (i) 25 qualitative and quantitative movement variables; (ii) affective valence and arousal; and (iii) the aesthetic qualities beauty, liking, and interest. An Excel spreadsheet with these data points accompanies this manuscript, and the stimuli can be obtained from the authors upon request.
(i)大脑如何处理运动;(ii)如何从身体运动中感知情感;以及(iii)舞蹈如何成为审美体验的来源。然而,在这三个研究领域中,甚至在每个领域内部,刺激材料都有很大差异。因此,综合性结论仍然难以得出。此外,有人担心为这类刺激选择的动作在质量上与实际的艺术形式舞蹈差异过大,可能会在数据中引入干扰因素。我们提出了一个舞蹈刺激库,它满足这三个研究领域的刺激要求和设计标准,同时尊重舞蹈艺术史的视角,与先前的舞蹈刺激集相比,具有更高的生态效度。这些刺激是时长为5 - 6秒的视频片段,选自真实的芭蕾舞表演。经过一系列编码实验,最终的刺激库包含203个芭蕾舞刺激,这些刺激在以下方面进行了编码:(i)25个定性和定量的动作变量;(ii)情感效价和唤醒水平;以及(iii)审美品质,如美、喜爱和兴趣。本文附带一个包含这些数据点的Excel电子表格,如有需要,作者可提供这些刺激材料。