Su Yi-Huang, Salazar-López Elvira
Department of Movement Science, Faculty of Sport and Health Sciences, Technical University of Munich, 80992 Munich, Germany.
Neural Plast. 2016;2016:1678390. doi: 10.1155/2016/1678390. Epub 2016 May 30.
Temporal mechanisms for processing auditory musical rhythms are well established, in which a perceived beat is beneficial for timing purposes. It is yet unknown whether such beat-based timing would also underlie visual perception of temporally structured, ecological stimuli connected to music: dance. In this study, we investigated whether observers extracted a visual beat when watching dance movements to assist visual timing of these movements. Participants watched silent videos of dance sequences and reproduced the movement duration by mental recall. We found better visual timing for limb movements with regular patterns in the trajectories than without, similar to the beat advantage for auditory rhythms. When movements involved both the arms and the legs, the benefit of a visual beat relied only on the latter. The beat-based advantage persisted despite auditory interferences that were temporally incongruent with the visual beat, arguing for the visual nature of these mechanisms. Our results suggest that visual timing principles for dance parallel their auditory counterparts for music, which may be based on common sensorimotor coupling. These processes likely yield multimodal rhythm representations in the scenario of music and dance.
处理听觉音乐节奏的时间机制已得到充分确立,其中感知到的节拍有助于计时。然而,基于节拍的计时是否也构成与音乐相关的时间结构化生态刺激(舞蹈)的视觉感知基础,目前尚不清楚。在本研究中,我们调查了观察者在观看舞蹈动作时是否提取了视觉节拍以辅助这些动作的视觉计时。参与者观看了舞蹈序列的无声视频,并通过心理回忆重现动作持续时间。我们发现,与没有规律模式的肢体动作相比,轨迹中有规律模式的肢体动作的视觉计时更好,这类似于听觉节奏的节拍优势。当动作涉及手臂和腿部时,视觉节拍的优势仅依赖于腿部动作。尽管听觉干扰在时间上与视觉节拍不一致,但基于节拍的优势仍然存在,这表明这些机制具有视觉性质。我们的结果表明,舞蹈的视觉计时原则与音乐的听觉计时原则相似,这可能基于共同的感觉运动耦合。在音乐和舞蹈场景中,这些过程可能产生多模态节奏表征。