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在必须快速弹奏时表现出色:不同速度下熟练钢琴演奏中运动模式的空间和时间对称性。

Playing beautifully when you have to be fast: spatial and temporal symmetries of movement patterns in skilled piano performance at different tempi.

作者信息

van Vugt Floris T, Furuya Shinichi, Vauth Henning, Jabusch Hans-Christian, Altenmüller Eckart

机构信息

Institute of Music Physiology and Musicians' Medicine, University of Music, Drama, and Media, Emmichplatz 1, 30175, Hanover, Germany,

出版信息

Exp Brain Res. 2014 Nov;232(11):3555-67. doi: 10.1007/s00221-014-4036-4. Epub 2014 Jul 25.

Abstract

Humans are capable of learning a variety of motor skills such as playing the piano. Performance of these skills is subject to multiple constraints, such as musical phrasing or speed requirements, and these constraints vary from one context to another. In order to understand how the brain controls highly skilled movements, we investigated pianists playing musical scales with their left or right hand at various speeds. Pianists showed systematic temporal deviations away from regularity. At slow tempi, pianists slowed down at the beginning and end of the movement (which we call phrasal template). At fast tempi, temporal deviation traces consisted of three peak delays caused by a thumb-under manoeuvre (which we call neuromuscular template). Intermediate tempi were a linear combination trade-off between these two. We introduce and cross-validate a simple four-parameter model that predicted the timing deviation of each individual note across tempi (R(2) = 0.70). The model can be fitted on the data of individual pianists, providing a novel quantification of expert performance. The present study shows that the motor system can generate complex movements through a dynamic combination of simple movement templates. This provides insight into how the motor system flexibly adapts to varying contextual constraints.

摘要

人类能够学习各种运动技能,比如弹钢琴。这些技能的表现受到多种限制,如音乐的乐句划分或速度要求,而且这些限制因情境而异。为了了解大脑如何控制高技能运动,我们研究了钢琴家以不同速度用左手或右手弹奏音阶的情况。钢琴家表现出系统性的时间偏差,偏离了规律性。在慢节奏时,钢琴家在动作的开始和结束时会放慢速度(我们称之为乐句模板)。在快节奏时,时间偏差轨迹由拇指下翻动作导致的三个峰值延迟组成(我们称之为神经肌肉模板)。中等节奏是这两者之间的线性组合权衡。我们引入并交叉验证了一个简单的四参数模型,该模型预测了每个音符在不同节奏下的时间偏差(R² = 0.70)。该模型可以根据个体钢琴家的数据进行拟合,为专家表现提供了一种新的量化方法。本研究表明,运动系统可以通过简单运动模板的动态组合产生复杂运动。这为运动系统如何灵活适应不同的情境限制提供了见解。

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