Wassiliwizky Eugen, Koelsch Stefan, Wagner Valentin, Jacobsen Thomas, Menninghaus Winfried
Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany.
Department of Education and Psychology, Freie Universität Berlin, 14195 Berlin, Germany.
Soc Cogn Affect Neurosci. 2017 Aug 1;12(8):1229-1240. doi: 10.1093/scan/nsx069.
It is a common experience-and well established experimentally-that music can engage us emotionally in a compelling manner. The mechanisms underlying these experiences are receiving increasing scrutiny. However, the extent to which other domains of aesthetic experience can similarly elicit strong emotions is unknown. Using psychophysiology, neuroimaging and behavioral responses, we show that recited poetry can act as a powerful stimulus for eliciting peak emotional responses, including chills and objectively measurable goosebumps that engage the primary reward circuitry. Importantly, while these responses to poetry are largely analogous to those found for music, their neural underpinnings show important differences, specifically with regard to the crucial role of the nucleus accumbens. We also go beyond replicating previous music-related studies by showing that peak aesthetic pleasure can co-occur with physiological markers of negative affect. Finally, the distribution of chills across the trajectory of poems provides insight into compositional principles of poetry.
音乐能够以一种引人入胜的方式在情感上打动我们,这是一种常见的体验,并且已在实验中得到充分证实。这些体验背后的机制正受到越来越多的审视。然而,其他审美体验领域在多大程度上能同样引发强烈情感尚不清楚。通过心理生理学、神经影像学和行为反应,我们表明朗诵诗歌可以作为一种强大的刺激,引发峰值情感反应,包括寒战以及客观上可测量的鸡皮疙瘩,这些反应涉及初级奖赏回路。重要的是,虽然对诗歌的这些反应在很大程度上与对音乐的反应相似,但其神经基础存在重要差异,特别是在伏隔核的关键作用方面。我们还超越了以往与音乐相关的研究,表明峰值审美愉悦可以与负面情绪的生理指标同时出现。最后,诗歌轨迹上寒战的分布为诗歌的创作原则提供了见解。