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解谜科学:言语感知中对单位的不切实际的追求。

Puzzle-solving science: the quixotic quest for units in speech perception.

作者信息

Goldinger Stephen D, Azuma Tamiko

机构信息

Department of Psychology, Arizona State University, Box 871104, Tempe, AZ 85287-1104, USA.

Department of Speech & Hearing Science, Arizona State University, USA.

出版信息

J Phon. 2003 Jul-Oct;31(3-4):305-320. doi: 10.1016/S0095-4470(03)00030-5. Epub 2003 Oct 20.

Abstract

Although speech signals are continuous and variable, listeners experience segmentation and linguistic structure in perception. For years, researchers have tried to identify the basic building-block of speech perception. In that time, experimental methods have evolved, constraints on stimulus materials have evolved, sources of variance have been identified, and computational models have been advanced. As a result, the slate of candidate units has , each with its own empirical support. In this article, we endorse Grossberg's (ART), proposing that speech units are emergent properties of perceptual dynamics. By this view, units only "exist" when disparate features achieve , a level of perceptual coherence that allows conscious encoding. We outline basic principles of ART, then summarize five experiments. Three experiments assessed the power of social influence to affect phoneme-syllable competitions. Two other experiments assessed repetition effects in monitoring data. Together the data suggest that "primary" speech units are strongly and symmetrically affected by bottom-up and top-down knowledge sources.

摘要

尽管语音信号是连续且多变的,但听众在感知过程中会经历语音分割和语言结构。多年来,研究人员一直试图确定语音感知的基本组成部分。在此期间,实验方法不断演变,对刺激材料的限制不断演变,已识别出方差来源,计算模型也不断进步。结果,候选单元的名单已经确定,每个单元都有自己的实证支持。在本文中,我们支持格罗斯伯格的自适应共振理论(ART),提出语音单元是感知动力学的涌现属性。按照这种观点,只有当不同的特征达到一种感知连贯性水平,使得能够进行有意识编码时,单元才“存在”。我们概述了ART的基本原理,然后总结了五个实验。三个实验评估了社会影响对音素 - 音节竞争的影响程度。另外两个实验评估了监测数据中的重复效应。这些数据共同表明,“主要”语音单元受到自下而上和自上而下知识源的强烈且对称的影响。

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