International Laboratory for Brain, Music and Sound Research, Université de Montréal, Department of Psychology, Outremont, Quebec H2V 4P3, Canada,
Centre for Research on Brain, Language and Music, McGill University, Montreal, Quebec H3A 0G4, Canada.
J Neurosci. 2018 Mar 28;38(13):3252-3264. doi: 10.1523/JNEUROSCI.2530-17.2018. Epub 2018 Mar 5.
Spatial hearing is a crucial capacity of the auditory system. While the encoding of horizontal sound direction has been extensively studied, very little is known about the representation of vertical sound direction in the auditory cortex. Using high-resolution fMRI, we measured voxelwise sound elevation tuning curves in human auditory cortex and show that sound elevation is represented by broad tuning functions preferring lower elevations as well as secondary narrow tuning functions preferring individual elevation directions. We changed the ear shape of participants (male and female) with silicone molds for several days. This manipulation reduced or abolished the ability to discriminate sound elevation and flattened cortical tuning curves. Tuning curves recovered their original shape as participants adapted to the modified ears and regained elevation perception over time. These findings suggest that the elevation tuning observed in low-level auditory cortex did not arise from the physical features of the stimuli but is contingent on experience with spectral cues and covaries with the change in perception. One explanation for this observation may be that the tuning in low-level auditory cortex underlies the subjective perception of sound elevation. This study addresses two fundamental questions about the brain representation of sensory stimuli: how the vertical spatial axis of auditory space is represented in the auditory cortex and whether low-level sensory cortex represents physical stimulus features or subjective perceptual attributes. Using high-resolution fMRI, we show that vertical sound direction is represented by broad tuning functions preferring lower elevations as well as secondary narrow tuning functions preferring individual elevation directions. In addition, we demonstrate that the shape of these tuning functions is contingent on experience with spectral cues and covaries with the change in perception, which may indicate that the tuning functions in low-level auditory cortex underlie the perceived elevation of a sound source.
空间听觉是听觉系统的一项关键能力。虽然水平声音方向的编码已经得到了广泛的研究,但垂直声音方向在听觉皮层中的表示方式却知之甚少。使用高分辨率 fMRI,我们测量了人类听觉皮层中体素水平的声音高度调谐曲线,并表明声音高度由较宽的调谐函数表示,优先选择较低的高度,以及较窄的次要调谐函数,优先选择个别高度方向。我们用硅树脂模具改变了参与者(男性和女性)的耳朵形状数天。这种操作降低或消除了辨别声音高度的能力,并使皮层调谐曲线变平。随着参与者适应修改后的耳朵,调谐曲线恢复到原来的形状,并随着时间的推移逐渐恢复高度感知。这些发现表明,在低级听觉皮层中观察到的高度调谐不是由刺激的物理特征引起的,而是取决于对频谱线索的经验,并与感知的变化相关。这种观察的一种解释可能是,低级听觉皮层中的调谐是主观声音高度感知的基础。这项研究解决了关于感觉刺激大脑表示的两个基本问题:听觉皮层中听觉空间的垂直空间轴是如何表示的,以及低级感觉皮层是否表示物理刺激特征或主观感知属性。使用高分辨率 fMRI,我们表明垂直声音方向由较宽的调谐函数表示,优先选择较低的高度,以及较窄的次要调谐函数,优先选择个别高度方向。此外,我们证明了这些调谐函数的形状取决于对频谱线索的经验,并与感知的变化相关,这可能表明低级听觉皮层中的调谐函数是声源感知高度的基础。