Siri Francesca, Ferroni Francesca, Ardizzi Martina, Kolesnikova Anna, Beccaria Marcella, Rocci Barbara, Christov-Bakargiev Carolyn, Gallese Vittorio
Department of Medicine & Surgery-Unit of Neuroscience, University of Parma, Parma, Italy.
Department of Medicine & Surgery-Unit of Neuroscience, University of Parma, Parma, Italy.
Prog Brain Res. 2018;237:201-221. doi: 10.1016/bs.pbr.2018.03.020. Epub 2018 Apr 30.
Nowadays, works of art can be enjoyed in both their original and reproduced format. The aim of this study was to investigate whether the format of a work of art could influence physiological and cognitive responses in beholders. Two abstract works of art and their digital reproductions were selected as experimental stimuli and displayed for 2min to 60 participants in a museum. HRV, HR, and RMSSD were recorded, while participants observed the works of art. Subsequently, participants provided behavioral ratings of color intensity, emotional intensity, aesthetic evaluation, perceived movement, and desire to touch the works of art. Results demonstrated that the faithful high-quality digital reproduction of works of art could be as arousing as the original works of art, but at the same time, they cannot replace the experience of standing in front of an authentic work of art in terms of explicit hedonic attributed values. Furthermore, specific interactions between individual inclinations to identify with fictional characters and acquired art competences in the context of aesthetic experience were found.
如今，艺术作品既能以原作形式欣赏，也能以复制形式欣赏。本研究的目的是调查艺术作品的形式是否会影响观赏者的生理和认知反应。选取了两件抽象艺术作品及其数字复制品作为实验刺激物，在一家博物馆向60名参与者展示2分钟。在参与者观察艺术作品时，记录其心率变异性（HRV）、心率（HR）和相邻RR间期差值的均方根（RMSSD）。随后，参与者对色彩强度、情感强度、审美评价、感知运动以及触摸艺术作品的欲望进行行为评分。结果表明，艺术作品逼真的高质量数字复制品能够与原作一样令人兴奋，但与此同时，就明确的享乐属性值而言，它们无法取代站在一件真品艺术作品前的体验。此外，还发现了在审美体验背景下，个体认同虚构角色的倾向与获得的艺术能力之间存在特定的相互作用。
