Department of Medicine and Surgery, University of Parma, Via Volturno, 39/E, 43121, Parma, Italy.
Department of Food and Drug, University of Parma, Parma, Italy.
Psychol Res. 2020 Mar;84(2):370-379. doi: 10.1007/s00426-018-1067-7. Epub 2018 Aug 3.
The present study addresses a novel issue by investigating whether beholders' sensorimotor engagement with the emotional content of works of art contributes to the formation of their objective aesthetic judgment of beauty. To this purpose, participants' sensorimotor engagement was modulated by asking them to overtly contract the Corrugator Supercilii facial muscles or to refrain from any voluntary facial movement while judging the aesthetic value of painful and neutral facial expressions in select examples of Renaissance and Baroque paintings. Results demonstrated a specific increase in the aesthetic rating of paintings showing painful facial expressions during the congruent activation of the Corrugator Supercilii muscles. Furthermore, participants' empathetic traits and expertise in art were found to correlate directly with the amplitude of the motor enactment effect on aesthetic judgments. For the first time, we show the role of bottom-up bodily driven sensorimotor processes in the objective aesthetic evaluation of works of art.
本研究通过考察观赏者与艺术作品情感内容的感觉运动参与是否有助于他们对美的客观审美判断的形成,提出了一个新的问题。为此,通过要求参与者在判断文艺复兴和巴洛克绘画精选作品中痛苦和中性面部表情的美学价值时,有意识地收缩皱眉肌或避免任何自愿的面部运动,来调节参与者的感觉运动参与。结果表明,在皱眉肌的一致激活过程中,表现痛苦面部表情的绘画的审美评价会出现特定的增加。此外,参与者的同理心特征和艺术专业知识被发现与对审美判断的运动实施效应的幅度直接相关。我们首次展示了自下而上的身体驱动感觉运动过程在对艺术作品的客观审美评价中的作用。