Meyer Vera
Department of Applied and Molecular Microbiology, Institute of Biotechnology, Technische Universität Berlin, Gustav-Meyer-Allee 25, 13355 Berlin, Germany.
Fungal Biol Biotechnol. 2019 Apr 26;6:5. doi: 10.1186/s40694-019-0068-7. eCollection 2019.
Science and art have long been studied interchangeably, with notable polymaths emerging in the Renaissance such as Leonardo da Vinci (artist, inventor, engineer and anatomist) and Alexander von Humboldt (explorer, geographer and naturalist) with his fellow investigators Johann Wolfgang von Goethe (scientist and writer) and Friedrich Schiller (philosopher, physician and historian). However, this polymathic attitude and the co-operation between scientists and artists seemed to go into hibernation in the second half of the eighteenth century due to an overload of information, especially for the scientists. I illustrate here that the two seemingly diverse fields can feed and sustain each other not only from the attitude of how to think about an object, but also how to show this object in a way that may not have been seen before. Ideas and viewpoints gained from looking at an organism artistically can enable a scientist to think "outside the box", providing insights to reassess earlier scientifically hidebound attitudes.
长期以来,科学和艺术一直被交替研究,文艺复兴时期涌现出了一些著名的博学者,如列奥纳多·达·芬奇(艺术家、发明家、工程师和解剖学家)和亚历山大·冯·洪堡(探险家、地理学家和博物学家),还有他的同行约翰·沃尔夫冈·冯·歌德(科学家和作家)以及弗里德里希·席勒(哲学家、医生和历史学家)。然而,由于信息过载,尤其是对科学家来说,这种博学的态度以及科学家与艺术家之间的合作在18世纪下半叶似乎进入了休眠期。我在此说明,这两个看似不同的领域不仅可以从思考一个对象的方式,而且可以从以一种前所未有的方式展示这个对象的角度相互促进和支撑。从艺术角度观察一个生物体所获得的想法和观点能够使科学家“跳出框框”思考,为重新评估早期因循守旧的科学态度提供见解。