Digital and Cognitive Musicology Lab, Digital Humanities Institute, College of Humanities, École Polytechnique Fédérale de Lausanne, Lausanne, 1015 Vaud, Switzerland.
PLoS One. 2019 Jun 6;14(6):e0217242. doi: 10.1371/journal.pone.0217242. eCollection 2019.
Tonal harmony is one of the central organization systems of Western music. This article characterizes the statistical foundations of tonal harmony based on the computational analysis of expert annotations in a large corpus. Using resampling methods, this study shows that 1) the rank-frequency distribution of chords resembles a power law, i.e. few chords govern a large proportion of the data; 2) chord transitions are referential and chord predictability is significantly affected by distinguished chord features; 3) tonal harmony conveys directedness in time; and 4) tonal harmony operates differently at the hierarchical levels of chords and keys. These results serve to characterize tonal harmony on empirical grounds and advance the methodological state-of-the-art in digital musicology.
调性和声是西方音乐的主要组织系统之一。本文基于对大型语料库中专家注释的计算分析,描述了调性和声的统计基础。通过重采样方法,本研究表明:1)和弦的等级-频率分布类似于幂律,即少数和弦控制了大部分数据;2)和弦的转换具有参照性,并且和弦的可预测性受到显著影响的是有区别的和弦特征;3)调性和声在时间上具有方向性;4)调性和声在和弦和调的层次结构上的运作方式不同。这些结果有助于从经验上描述调性和声,并推动数字音乐学方法的最新进展。