Araújo Liliana S, Wasley David, Redding Emma, Atkins Louise, Perkins Rosie, Ginsborg Jane, Williamon Aaron
Centre for Performance Science, Royal College of Music, London, United Kingdom.
Faculty of Medicine, Imperial College London, London, United Kingdom.
Front Psychol. 2020 Mar 5;11:298. doi: 10.3389/fpsyg.2020.00298. eCollection 2020.
The physical demands of music making are well acknowledged, but understanding of musicians' physical and fitness profiles is nonetheless limited, especially those of advanced music students who are training to enter music's competitive professional landscape. To gain insight into how physical fitness is associated with music making, this study investigated music students' fitness levels on several standardized indicators. Four hundred and eighty three students took part in a fitness screening protocol that included measurements of lung function, flexibility (hypermobility, shoulder range of motion, sit and reach), strength and endurance (hand grip, plank, press-up), and sub-maximal cardiovascular fitness (3-min step test), as well as self-reported physical activity (IPAQ-SF). Participants scored within age-appropriate ranges on lung function, shoulder range of motion, grip strength, and cardiovascular fitness. Their results for the plank, press-up, and sit and reach were poor by comparison. Reported difficulty (22%) and pain (17%) in internal rotation of the right shoulder were also found. Differences between instrument groups and levels of study were observed on some measures. In particular, brass players showed greater lung function and grip strength compared with other groups, and postgraduate students on the whole were able to maintain the plank for longer but also demonstrated higher hypermobility and lower lung function and cardiovascular fitness than undergraduate students. Seventy-nine percent of participants exceeded the minimum recommended weekly amount of physical activity, but this was mostly based on walking activities. Singers were the most physically active group, and keyboard players, composers, and conductors were the least active. IPAQ-SF scores correlated positively with lung function, sit and reach, press-up and cardiovascular fitness suggesting that, in the absence of time and resources to carry out comprehensive physical assessments, this one measure alone can provide useful insight into musicians' fitness. The findings show moderate levels of general health-related fitness, and we discuss whether fitness is enough for people undertaking physically and mentally demanding music making. We argue that musicians could benefit from strengthening their supportive musculature and enhancing their awareness of strength imbalances.
音乐演奏对身体的要求已得到广泛认可,但对音乐家的身体状况和健康状况的了解仍然有限,尤其是那些正在接受训练以进入竞争激烈的音乐专业领域的高级音乐学生。为了深入了解身体素质与音乐演奏之间的关系,本研究通过几个标准化指标对音乐专业学生的健康水平进行了调查。483名学生参与了一项健康筛查方案,该方案包括对肺功能、灵活性(关节活动过度、肩部活动范围、坐立前屈)、力量和耐力(握力、平板支撑、俯卧撑)、次最大心血管健康(3分钟台阶测试)的测量,以及自我报告的身体活动情况(国际体力活动问卷简表,IPAQ-SF)。参与者在肺功能、肩部活动范围、握力和心血管健康方面的得分处于适合其年龄的范围内。相比之下,他们在平板支撑、俯卧撑和坐立前屈方面的成绩较差。研究还发现,右肩内旋存在困难(22%)和疼痛(17%)的情况。在某些测量指标上,观察到了乐器组和学习水平之间的差异。特别是,铜管乐器演奏者的肺功能和握力比其他组更强,总体而言,研究生能够保持平板支撑的时间更长,但与本科生相比,他们也表现出更高的关节活动过度、更低的肺功能和心血管健康水平。79%的参与者超过了每周建议的最低身体活动量,但这主要是基于步行活动。歌手是身体活动最活跃的群体,而键盘乐器演奏者、作曲家和指挥家是最不活跃的群体。IPAQ-SF得分与肺功能、坐立前屈、俯卧撑和心血管健康呈正相关,这表明,在没有时间和资源进行全面身体评估的情况下,仅这一项指标就可以为了解音乐家的健康状况提供有用的见解。研究结果显示,与健康相关的身体素质处于中等水平,我们讨论了这样的身体素质对于从事身心要求较高的音乐演奏的人来说是否足够。我们认为,音乐家可以通过加强其支持性肌肉组织和提高对力量不平衡的认识而受益。