Silva-Gago María, García-Diez Marcos, Bruner Emiliano, Martínez Luis M, Criado-Boado Felipe
Instituto de Ciencias del Patrimonio (INCIPIT), CSIC, Santiago de Compostela, Spain.
Department of Prehistory, Ancient History and Archaeology, Universidad Complutense, Madrid (UCM), Madrid, Spain.
J Cult Cogn Sci. 2025;9(2):225-241. doi: 10.1007/s41809-025-00170-0. Epub 2025 Jun 8.
Art visual processing is a complex cognitive process that involves perception, attention and decision-making. The initial stage of this process is characterized by visual exploration through rapid eye movements which can provide insights into attentional patterns and information processing and can be examined using eye-tracking technology. In this study, we employ eye-tracking to investigate visual perception during the observation of Palaeolithic rock art mostly from the Cantabrian seaboard, aiming to investigate the behavioural mechanisms underlying figure recognition and attentional distribution. This study comprises two experiments-one including entire panels and the other focusing exclusively on single figures-both yielding similar results. Our findings indicate that attention was predominantly directed towards the depicted figures, particularly their heads, rather than other elements within the visual field. Additionally, incomplete figures were perceived as complete, suggesting that figure recognition were influenced by Gestalt principles, internal cognitive models, and other top-down systems.
The online version contains supplementary material available at 10.1007/s41809-025-00170-0.
艺术视觉处理是一个复杂的认知过程,涉及感知、注意力和决策。这个过程的初始阶段以通过快速眼动进行视觉探索为特征,这可以深入了解注意力模式和信息处理,并且可以使用眼动追踪技术进行研究。在本研究中,我们采用眼动追踪技术来研究在观察主要来自坎塔布连海岸的旧石器时代岩石艺术时的视觉感知,旨在探究图形识别和注意力分布背后的行为机制。本研究包括两个实验——一个包括整个面板,另一个专门关注单个图形——两者都产生了相似的结果。我们的研究结果表明,注意力主要集中在所描绘的图形上,特别是它们的头部,而不是视野中的其他元素。此外,不完整的图形被视为完整的,这表明图形识别受到格式塔原则、内部认知模型和其他自上而下系统的影响。
在线版本包含可在10.1007/s41809-025-00170-0获取的补充材料。