Sociology Department, University of York, York, UK.
Br J Sociol. 2023 Jan;74(1):3-16. doi: 10.1111/1468-4446.12981. Epub 2022 Nov 3.
Drawing on a 2-year study, I argue that the UK vape industry is engaged in a classificatory struggle between a subcultural industry and its "other", the mainstream industry. I build on Thornton's analysis of club culture to characterize the subcultural vape industry as a community of taste built round a masculine aesthetic and a commitment to authenticity and DIY practice. Its attachment to complex systems and masculine spaces risked excluding customers without specialist knowledge or interest. The mainstream industry included tobacco companies which promoted vaping as a complementary category to smoking, linking their own vaping products to historic meanings of the cigarette as a lifestyle product. This task was hampered by the toxic legacy of combusted tobacco and its increasing reversion to a generic category rather than a branded product. Finally, the success of the price-focused vaping industry has been largely overlooked, but suggests that for most consumers, electronic cigarettes are still a contrasting category to combusted tobacco and are purchased largely on price. I conclude that the exclusion of a feminized, classed "other" is a defining element of subcultural formation, itself an overwhelmingly male mechanism of group identity construction.
基于一项为期两年的研究,我认为英国的电子烟行业正处于亚文化产业与其“他者”——主流产业之间的分类斗争中。我借鉴了桑顿对俱乐部文化的分析,将亚文化电子烟产业描述为一个以男性美学为基础、追求真实性和 DIY 实践的品味共同体。它对复杂系统和男性空间的依赖,可能会将没有专业知识或兴趣的消费者排除在外。主流产业包括烟草公司,它们将电子烟推广为吸烟的补充品类,将自己的电子烟产品与香烟作为生活方式产品的历史意义联系起来。但这一任务受到了可燃烟草的有毒遗留问题以及其日益回归通用品类而非品牌产品的阻碍。最后,以价格为重点的电子烟行业的成功在很大程度上被忽视了,但这表明,对大多数消费者来说,电子烟仍然与可燃烟草形成鲜明对比,而且主要是根据价格购买。我得出的结论是,将女性化、阶级化的“他者”排除在外是亚文化形成的一个决定性因素,而亚文化本身就是一种压倒性的男性群体认同构建机制。