J Lesbian Stud. 2023;27(3):256-263. doi: 10.1080/10894160.2023.2188691. Epub 2023 Mar 15.
This testimonial features the origins of the short story: by writer/performer Monica Palacios. Monica's story is published in the anthology: Monica's obsession with the folklore figure, La Llorona, leads her on a journey to create a comedy routine about the ghost woman in her stand up comedy act. Monica struggles with making the comedy bit work on stage and puts the story on the back burner. Years later, in 1987 Monica is a new arrival in Los Angeles desperately in need of Latina lesbian consciousness. Palacios meets fierce mujeres from the group Lesbianas Unidas who invite Monica to do a comedy performance at their March 1989 International Women's Day celebration. The group's support inspires Monica to finally create her Llorona story about lesbiana visibility, resilience, resistance, revolution and raunch. The late 80s and early 90s are turbulent times for queer Latinx people due to AIDS, homophobia, oppression, and politics but despite these challenges, Palacios turns fear into fuel, creating unique material as one of the first Chicana lesbian comedians.
作者/表演者莫妮卡·帕拉西奥斯 (Monica Palacios) 的作品。莫妮卡的故事发表在选集:莫妮卡对民间传说人物拉洛洛纳的痴迷,促使她创作了一个关于她在单口喜剧表演中女鬼的喜剧小品。莫妮卡在舞台上使喜剧小品奏效方面遇到困难,并将故事搁置一旁。多年后,1987 年,莫妮卡在洛杉矶是一个新移民,迫切需要拉丁裔女同性恋者的意识。帕拉西奥斯遇到了来自联合女同性恋者组织的凶猛女性,邀请莫妮卡在她们 1989 年 3 月的国际妇女节庆祝活动上表演喜剧。该组织的支持激励莫妮卡最终创作了她的拉拉诺拉故事,讲述女同性恋者的可见性、韧性、抵抗、革命和粗俗。由于艾滋病、恐同、压迫和政治,80 年代末和 90 年代初对酷儿拉丁裔人群来说是动荡的时期,但尽管面临这些挑战,帕拉西奥斯还是将恐惧转化为燃料,作为第一批奇卡纳女同性恋喜剧演员之一创作了独特的素材。