Candia Victor, Kusserow Martin, Margulies Oliver, Hildebrandt Horst
Department of Music, Institute for Music Research (IMR), Zurich University of the Arts (ZHdK), Zürich, Switzerland.
Department of Information Technology and Electrical Engineering, Wearable Computing Lab ETH, Zürich, Switzerland.
Front Psychol. 2023 Mar 20;14:1146405. doi: 10.3389/fpsyg.2023.1146405. eCollection 2023.
High heart rate (HR) and restlessness are two important features of music performance anxiety (MPA). In a case report of a cellist suffering from this condition, we showed that HR and restlessness decreased after repeated live performances of the same musical excerpt, thereby positively modulating objective performance criteria and subjective components. Here, we largely replicate these results in a group of 18 string players reporting MPA.
Objective measurement devices included a miniaturized electrocardiogram monitor and three 3-axis accelerometer loggers. Subjective measures included the Multidimensional Mental Health Questionnaire (MDBF) and a customized visual analogue scale (VAS) questionnaire for MPA. Non-artistic performance errors were assessed by music experts using a composite score for technical playing errors (i.e., intonation errors, omission of notes, and bowing noise). Data were collected from each study participant during three brief public solo performances of the same musical excerpt, with each performance occurring before a new audience on the same day.
From the 1st to the 3rd performance, HR, VAS, and playing error scores decreased significantly. MDBF (RU scale) showed a significant increase in calmness from the 1st to the 3rd performance on stage. HR and RU, VAS, and RU, as well as bow acceleration and overall duration of playing correlated significantly across participants and performances.
We conclude that repeated stage exposure significantly reduces HR as well as restlessness and playing errors linked to MPA. Public performances are still successful when HR is significantly higher than during rest periods. These results underscore the importance of stage training to become accustomed to realistic public self-exposure. Musicians - especially students - should consider this component of stage training as an integral part of their practice routine. Therefore, stage training can reduce MPA, promote better live performances and prevent stress-related mental disorders and physical injuries. These result from excessive self-exercise strategies common in musicians experiencing MPA. HR monitoring should be an integral part of evaluating the effectiveness of interventions for better MPA management and efficient performance training.
高心率(HR)和烦躁不安是音乐表演焦虑(MPA)的两个重要特征。在一份关于一名患有这种情况的大提琴手的病例报告中,我们表明,在重复现场演奏同一音乐片段后,心率和烦躁不安程度降低,从而对客观表演标准和主观因素产生积极调节作用。在此,我们在一组报告有MPA的18名弦乐演奏者中大致重复了这些结果。
客观测量设备包括一个小型心电图监测仪和三个三轴加速度计记录仪。主观测量包括多维心理健康问卷(MDBF)和一份针对MPA的定制视觉模拟量表(VAS)问卷。音乐专家使用技术演奏错误(即音准错误、音符遗漏和运弓噪音)的综合评分来评估非艺术表演错误。在同一段音乐片段的三次简短公开独奏表演期间,从每位研究参与者那里收集数据,每次表演在同一天面对新的观众进行。
从第一次表演到第三次表演,心率、VAS和演奏错误分数显著下降。MDBF(RU量表)显示,在舞台上从第一次表演到第三次表演,平静程度显著增加。参与者和表演之间,心率与RU、VAS与RU以及运弓加速度和演奏总时长之间存在显著相关性。
我们得出结论,重复的舞台曝光显著降低了与MPA相关的心率、烦躁不安和演奏错误。当心率明显高于休息期时,公开表演仍然很成功。这些结果强调了舞台训练对于习惯现实的公开自我曝光的重要性。音乐家——尤其是学生——应该将这种舞台训练的组成部分视为他们日常练习的一个组成部分。因此,舞台训练可以减少MPA,促进更好的现场表演,并预防与压力相关的精神障碍和身体损伤。这些是经历MPA的音乐家常见的过度自我训练策略导致的结果。心率监测应该是评估干预措施有效性以更好地管理MPA和进行高效表演训练的一个组成部分。