El Jeddaoui Bensalem, Fikri Imane, Oubelkacem Yacine, El Bakkali Abdelmajid, Lamhasni Taibi, Ben-Ncer Abdelouahed, Amechrouq Ali, Haddad Mustapha, Ait Lyazidi Saadia
Laboratory of Spectrometry, Materials, and Archaeomaterials (LASMAR, URL-CNRST, N°7), University of Moulay Ismail, Faculty of Sciences, Zitoune BP 11201, Meknes, 50000, Morocco.
National Institute of Archaeology and Heritage Sciences (INSAP), BP 6828, Madinat al Irfane, Allal El Fassi avenue, Rabat, Morocco.
J Fluoresc. 2025 Aug 30. doi: 10.1007/s10895-025-04488-4.
Optical fluorescence spectroscopy has emerged as a powerful, highly sensitive, and non-invasive tool for identifying natural dyes in historical textiles, especially when chromatographic techniques are unavailable or sampling is not permitted. In this study, 3D-fluorescence was at the core of a multi-analytical approach involving optical reflectance and Raman spectroscopy. This approach was adopted to investigate three ancient carpets from the Oudayas Museum in Rabat, Morocco. The aim was to identify the original dyes to reproduce naturally dyed wool for restoration purposes. Madder (Rubia tinctorum L.) was recognized as the source of the reds, Cochineal (Dactylopius coccus) insect extract as the source of the pinks, weld (Reseda luteola), or Daphne gnidium, as the source of the yellows, and indigo (from Indigofera tinctoria or Isatis) as the source of the blues. The colour palettes were enriched through plant combinations and iron treatment. Additionally, XRF measurements revealed the presence of mordanting elements. Based on these results, red, yellow, green, and blue-dyed wools were successfully reproduced and characterized employing 3D-fluorescence and optical reflectance. Overall, 3D-fluorescence, particularly when combined with other complementary non-invasive techniques, is a powerful tool for real-time non-destructive analysis of natural dyes in ancient textiles. It enables the rapid acquisition of spatially resolved spectral data, revealing patterns that suggest either uniform or varied dye sources. However, while this technique is effective in revealing dye mixtures and in distinguishing between animal-derived and plant-derived red dyes, its main limitation is that it cannot identify the precise botanical origins of plant-based dyes.
光学荧光光谱法已成为一种强大、高灵敏度且非侵入性的工具,用于识别历史纺织品中的天然染料,特别是在色谱技术不可用或不允许采样的情况下。在本研究中,三维荧光是涉及光学反射率和拉曼光谱的多分析方法的核心。该方法被用于研究摩洛哥拉巴特乌达亚斯博物馆的三块古代地毯。目的是识别原始染料,以便为修复目的重现天然染色的羊毛。茜草(Rubia tinctorum L.)被认为是红色染料的来源,胭脂虫(Dactylopius coccus)昆虫提取物是粉色染料的来源,黄木犀草(Reseda luteola)或染料月桂(Daphne gnidium)是黄色染料的来源,靛蓝(来自木蓝属Indigofera tinctoria或菘蓝属Isatis)是蓝色染料的来源。通过植物组合和铁处理丰富了调色板。此外,X射线荧光光谱测量揭示了媒染元素的存在。基于这些结果,利用三维荧光和光学反射率成功重现并表征了红色、黄色、绿色和蓝色染色的羊毛。总体而言,三维荧光,特别是与其他互补的非侵入性技术结合使用时,是对古代纺织品中的天然染料进行实时无损分析的强大工具。它能够快速获取空间分辨光谱数据,揭示表明染料来源均匀或多样的模式。然而,虽然该技术在揭示染料混合物以及区分动物源和植物源红色染料方面有效,但其主要局限性在于它无法确定植物基染料的确切植物来源。