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心理意象与三维空间

Mental imagery and the third dimension.

作者信息

Pinker S

出版信息

J Exp Psychol Gen. 1980 Sep;109(3):354-71. doi: 10.1037//0096-3445.109.3.354.

DOI:10.1037//0096-3445.109.3.354
PMID:6447193
Abstract

What sort of medium underlies imagery for three-dimensional scenes? In the present investigation, the time subjects took to scan between objects in a mental image was used to infer the sorts of geometric information that images preserve. Subjects studied an open box in which five objects were suspended, and learned to imagine this display with their eyes closed. In the first experiment, subjects scanned by tracking an imaginary point moving in a straight line between the imagined objects. Scanning times increased linearly with increasing distance between objects in three dimensions. Therefore metric 3-D information must be preserved in images, and images cannot simply be 2-D "snapshots." In a second experiment, subjects scanned across the image by "sighting" objects through an imaginary rifle sight. Here scanning times were found to increase linearly with the two-dimensional separations between objects as they appeared from the original viewing angle. Therefore metric 2-D distance information in the original perspective view must be preserved in images, and images cannot simply be 3-D "scale-models" that are assessed from any and all directions at once. In a third experiment, subjects mentally rotated the display 90 degrees and scanned between objects as they appeared in this new perspective view by tracking an imaginary rifle signt, as before. Scanning times increased linearly with the two-dimensional separations between objects as they would appear from the new relative viewing perspective. Therefore images can display metric 2-D distance information in a perspective view never actually experiences, so mental images cannot simply be "snapshot plus scale model" pairs. These results can be explained by a model in which the three-dimensional structure of objects is encoded in long-term memory in 3-D object-centered coordinate systems. When these objects are imagined, this information is then mapped onto a single 2-D "surface display" in which the perspective properties specific to a given viewing angle can be depicted. In a set of perceptual control experiments, subjects scanned a visible display by (a) simply moving their eyes from one object to another, (b) sweeping an imaginary rifle sight over the display, or (c) tracking an imaginary point moving from one object to another. Eye-movement times varied linearly with 2-D interobject distance, as did time to scan with an imaginary rifle sight; time to tract a point varied independently with the 3-D and 2-D interobject distances. These results are compared with the analogous image scanning results to argue that imagery and perception share some representational structures but that mental image scanning is a process distinct from eye movements or eye-movement commands.

摘要

构成三维场景心理意象的媒介是什么样的?在本研究中,被试在心理意象中扫描物体间距离所花费的时间,被用来推断意象所保留的几何信息类型。被试研究了一个敞口盒子,里面悬挂着五个物体,并学会了闭眼想象这个展示场景。在第一个实验中,被试通过追踪一个在想象物体间沿直线移动的虚构点来进行扫描。扫描时间随三维空间中物体间距离的增加呈线性增长。因此,三维的度量信息必定保留在意象中,意象不可能只是二维的“快照”。在第二个实验中,被试通过一个虚构的步枪瞄准器“瞄准”物体来扫描意象。结果发现,扫描时间随物体在原始视角下呈现的二维间距呈线性增长。因此,原始透视图中的二维距离度量信息必定保留在意象中,意象不可能只是能从任何方向即刻评估的三维“比例模型”。在第三个实验中,被试将展示场景在脑海中旋转90度,然后像之前那样通过追踪虚构的步枪瞄准器扫描新视角下呈现的物体间距离。扫描时间随物体在新相对视角下呈现的二维间距呈线性增长。因此,意象能够在一个从未实际经历过的视角中展示二维距离度量信息,所以心理意象不可能只是“快照加比例模型”的组合。这些结果可以用一个模型来解释,即物体的三维结构以三维物体中心坐标系编码于长期记忆中。当想象这些物体时,这些信息随后被映射到一个单一的二维“表面展示”上,在这个展示中可以描绘特定视角的透视属性。在一组知觉控制实验中,被试通过以下方式扫描一个可见展示:(a) 简单地将眼睛从一个物体移到另一个物体,(b) 用虚构的步枪瞄准器扫视展示,或 (c) 追踪一个从一个物体移到另一个物体的虚构点。眼动时间随二维物体间距呈线性变化,用虚构步枪瞄准器扫描的时间也是如此;追踪一个点的时间则分别随三维和二维物体间距独立变化。将这些结果与类似的意象扫描结果进行比较,以论证意象和知觉共享一些表征结构,但心理意象扫描是一个与眼动或眼动指令不同的过程。

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