Goodnick B
Isr J Psychiatry Relat Sci. 1995;32(2):120-33.
Sigmund Freud, as is well known, was overwhelmed by the person of Moses. This profound impact is revealed in his "The Moses of Michelangelo," first published in 1914, and "Moses and Monotheism," issued in 1933, the final work of his career. His biographers, in the light of these writings, have sought to discover the sources of this strong influence of Moses. A few claim that Moses arrived late on Freud's life stage. Most recognize that Freud was attracted to Moses early in his personal development. Their explanations to account for Freud's attachment to Moses, however, seem inadequate. The present article explores this issue and attributes the fascination and powerful imprint of Moses as stemming from a frequently viewed frontispiece found in each volume of the Philippson Bible, a lithograph of Moses displaying the Ten Commandments to the people of Israel. From childhood on, Sigmund gazed upon the face of Moses with his piercing eyes as his father related biblical stories to him, particularly the deeds of Moses, during their studies. The role of Jacob Freud with respect to the Freud-Moses relationship is herein discussed. The general conclusion emphasizes, as does Sigmund Freud himself, the enduring power of childhood experiences and their lifelong effect.
众所周知，西格蒙德·弗洛伊德对摩西这个人物极为着迷。这种深刻的影响在他1914年首次发表的《米开朗基罗的摩西》以及1933年出版的他职业生涯的最后一部作品《摩西与一神教》中得以体现。他的传记作者们根据这些著作，试图探寻摩西这种强大影响力的来源。一些人声称摩西在弗洛伊德人生舞台上出现得较晚。大多数人则认识到弗洛伊德在其个人发展早期就被摩西所吸引。然而，他们对弗洛伊德为何依恋摩西的解释似乎并不充分。本文探讨了这个问题，并认为摩西的魅力和强大印记源于菲利普森圣经每卷中一幅常被看到的卷首插画，那是一幅摩西向以色列人民展示十诫的平版印刷画。从孩童时期起，当父亲在学习过程中给他讲述圣经故事，尤其是摩西的事迹时，西格蒙德就凝视着摩西那张有着锐利眼神的脸。本文还讨论了雅各布·弗洛伊德在弗洛伊德与摩西关系中所起的作用。总体结论正如西格蒙德·弗洛伊德本人所强调的，强调了童年经历的持久力量及其终身影响。
