Palmer C, Krumhansl C L
Psychology Department, Ohio State University, Columbus 43210.
J Exp Psychol Hum Percept Perform. 1990 Nov;16(4):728-41. doi: 10.1037//0096-1523.16.4.728.
Investigations of the psychological representation for musical meter provided evidence for an internalized hierarchy from 3 sources: frequency distributions in musical compositions, goodness-of-fit judgments of temporal patterns in metrical contexts, and memory confusions in discrimination judgments. The frequency with which musical events occurred in different temporal locations differentiates one meter from another and coincides with music-theoretic predictions of accent placement. Goodness-of-fit judgments for events presented in metrical contexts indicated a multileveled hierarchy of relative accent strength, with finer differentiation among hierarchical levels by musically experienced than inexperienced listeners. Memory confusions of temporal patterns in a discrimination task were characterized by the same hierarchy of inferred accent strength. These findings suggest mental representations for structural regularities underlying musical meter that influence perceiving, remembering, and composing music.
音乐作品中的频率分布、节拍情境中时间模式的拟合优度判断以及辨别判断中的记忆混淆。音乐事件在不同时间位置出现的频率使一种节拍与另一种节拍区分开来,并且与重音位置的音乐理论预测相一致。在节拍情境中呈现的事件的拟合优度判断表明了相对重音强度的多层次层次结构,与没有音乐经验的听众相比,有音乐经验的听众在层次水平之间的区分更精细。辨别任务中时间模式的记忆混淆具有相同的推断重音强度层次结构。这些发现表明了音乐节拍背后结构规律的心理表征,这种表征会影响音乐的感知、记忆和创作。