Moloney Molly, Hunt Geoffrey P
Institute for Scientific Analysis, 1150 Ballena Boulevard, Alameda, CA 94501, USA.
Drugs (Abingdon Engl). 2012 Dec 1;19(6):462-473. doi: 10.3109/09687637.2012.702143.
Based on 250 qualitative interviews with Asian American young men and women in the dance/club scenes in the San Francisco area, we examine the interplay between consumption, style and taste cultures with issues of ethnic identity, gender and acculturation. We explore the ways that consumption and taste markers (e.g. fashion, cars, music and drugs) are used to establish or negotiate symbolic boundaries between groups in this youth culture. The picture they paint of the dance scene is one less about cohesiveness and unity and more about divisions and boundaries, not only between but also significantly within ethnic groupings. The choice of drugs and ways of exhibiting intoxication are among the types of consumption that the young people drew upon to mark symbolic boundaries and establish identities. The young men and women in this study discuss a number of key boundaries in the scene, e.g. between FOBs and twinkies, between pretty boys and thugs, as they attempt to establish the cultural legitimacy of their own styles of Asian American identities.
基于对旧金山地区舞蹈/俱乐部场景中的亚裔美国青年男女进行的250次定性访谈,我们研究了消费、风格和品味文化与种族身份、性别和文化适应问题之间的相互作用。我们探讨了消费和品味标志(如时尚、汽车、音乐和毒品)在这种青年文化中用于在群体之间建立或协商象征边界的方式。他们描绘的舞蹈场景并非关于凝聚力和团结,而是更多地关于分歧和边界,不仅存在于不同种族群体之间,而且在种族群体内部也非常明显。毒品的选择和表现醉酒的方式是年轻人用来划分象征边界和确立身份的消费类型之一。本研究中的青年男女讨论了该场景中的一些关键边界,例如刚移民来的亚裔和融入当地文化的亚裔之间、帅哥和暴徒之间的边界,因为他们试图确立自己的亚裔美国身份风格的文化合法性。