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本文引用的文献

1
A mechanism for frequency modulation in songbirds shared with humans.鸣禽与人类共有的频率调制机制。
J Neurosci. 2013 Jul 3;33(27):11136-44. doi: 10.1523/JNEUROSCI.5906-12.2013.
2
Elemental gesture dynamics are encoded by song premotor cortical neurons.元素动作动力学由歌唱前运动皮质神经元编码。
Nature. 2013 Mar 7;495(7439):59-64. doi: 10.1038/nature11967. Epub 2013 Feb 27.
3
Integrative physiology of fundamental frequency control in birds.鸟类基频控制的整合生理学
J Physiol Paris. 2013 Jun;107(3):230-42. doi: 10.1016/j.jphysparis.2012.11.001. Epub 2012 Dec 11.
4
Sexual dimorphism of the zebra finch syrinx indicates adaptation for high fundamental frequencies in males.鸣禽鸣管的性别二态性表明雄性具有适应高频基频的特征。
PLoS One. 2010 Jun 29;5(6):e11368. doi: 10.1371/journal.pone.0011368.
5
Peripheral mechanisms for vocal production in birds - differences and similarities to human speech and singing.鸟类发声的外周机制 - 与人类言语和歌唱的异同。
Brain Lang. 2010 Oct;115(1):69-80. doi: 10.1016/j.bandl.2009.11.003. Epub 2010 Feb 13.
6
The case for and against muscle synergies.支持和反对肌肉协同作用的观点。
Curr Opin Neurobiol. 2009 Dec;19(6):601-7. doi: 10.1016/j.conb.2009.09.002. Epub 2009 Oct 12.
7
Low-dimensional dynamical model for the diversity of pressure patterns used in canary song.金丝雀歌声中使用的压力模式多样性的低维动力学模型。
Phys Rev E Stat Nonlin Soft Matter Phys. 2009 Apr;79(4 Pt 1):041929. doi: 10.1103/PhysRevE.79.041929. Epub 2009 Apr 30.
8
Beyond harmonic sounds in a simple model for birdsong production.超越鸟鸣产生简单模型中的谐波声音。
Chaos. 2008 Dec;18(4):043123. doi: 10.1063/1.3041023.
9
Dynamical origin of spectrally rich vocalizations in birdsong.鸟鸣中频谱丰富发声的动态起源。
Phys Rev E Stat Nonlin Soft Matter Phys. 2008 Jul;78(1 Pt 1):011905. doi: 10.1103/PhysRevE.78.011905. Epub 2008 Jul 11.
10
Frequency modulation during song in a suboscine does not require vocal muscles.亚鸣禽鸣叫时的调频不需要发声肌肉。
J Neurophysiol. 2008 May;99(5):2383-9. doi: 10.1152/jn.01002.2007. Epub 2008 Feb 20.

鸟类鸣叫中声音频率的运动控制涉及气囊压力与唇部张力之间的相互作用。

Motor control of sound frequency in birdsong involves the interaction between air sac pressure and labial tension.

作者信息

Alonso Rodrigo, Goller Franz, Mindlin Gabriel B

机构信息

Department of Physics, FCEyN, University of Buenos Aires, Ciudad Universitaria, Pab I, cp 1428, Buenos Aires, Argentina.

Department of Biology, University of Utah, Salt Lake City, Utah 84112, USA.

出版信息

Phys Rev E Stat Nonlin Soft Matter Phys. 2014 Mar;89(3):032706. doi: 10.1103/PhysRevE.89.032706. Epub 2014 Mar 10.

DOI:10.1103/PhysRevE.89.032706
PMID:24730873
原文链接:https://pmc.ncbi.nlm.nih.gov/articles/PMC4083689/
Abstract

Frequency modulation is a salient acoustic feature of birdsong. Its control is usually attributed to the activity of syringeal muscles, which affect the tension of the labia responsible for sound production. We use experimental and theoretical tools to test the hypothesis that for birds producing tonal sounds such as domestic canaries (Serinus canaria), frequency modulation is determined by both the syringeal tension and the air sac pressure. For different models, we describe the structure of the isofrequency curves, which are sets of parameters leading to sounds presenting the same fundamental frequencies. We show how their shapes determine the relative roles of syringeal tension and air sac pressure in frequency modulation. Finally, we report experiments that allow us to unveil the features of the isofrequency curves.

摘要

频率调制是鸟鸣的一个显著声学特征。其控制通常归因于鸣管肌肉的活动,这些肌肉会影响负责发声的唇的张力。我们使用实验和理论工具来检验这样一个假设:对于像家雀(Serinus canaria)这样发出音调声音的鸟类,频率调制由鸣管张力和气囊压力共同决定。对于不同模型,我们描述了等频率曲线的结构,等频率曲线是导致声音呈现相同基频的参数集。我们展示了它们的形状如何决定鸣管张力和气囊压力在频率调制中的相对作用。最后,我们报告了一些实验,这些实验使我们能够揭示等频率曲线的特征。