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使用主观和客观测量方法预测抽象画和具象画的美感和喜好评分。

Prediction of beauty and liking ratings for abstract and representational paintings using subjective and objective measures.

机构信息

Department of Psychology, University of Calgary, Calgary, Alberta, Canada.

出版信息

PLoS One. 2018 Jul 6;13(7):e0200431. doi: 10.1371/journal.pone.0200431. eCollection 2018.

Abstract

Recent research on aesthetics has challenged the adage that "beauty is in the eye of the beholder" by identifying several factors that predict ratings of beauty. However, this research has emerged in a piecemeal fashion. Most studies have examined only a few predictors of beauty, and measured either subjective or objective predictors, but not both. Whether the predictors of ratings of beauty versus liking differ has not been tested, nor has whether predictors differ for major distinctions in art, such as abstract vs. representational paintings. Finally, past studies have either relied on experimenter-generated stimuli-which likely yield pallid aesthetic experiences-or on a curation of high-quality art-thereby restricting the range of predictor scores. We report a study (N = 598) that measured 4 subjective and 11 objective predictors of both beauty ratings and liking ratings, for 240 abstract and 240 representational paintings that varied widely in beauty. A crossover pattern occurred in the ratings, such that for abstract paintings liking ratings were higher than beauty ratings, whereas for representational paintings beauty ratings were higher than liking ratings. Prediction was much better for our subjective than objective predictors, and much better for our representational than abstract paintings. For abstract paintings, liking ratings were much more predictable than beauty ratings. Implications and directions for future research are discussed.

摘要

最近的美学研究通过确定几个可以预测美感评价的因素,对“美在旁观者的眼中”这句谚语提出了挑战。然而,这些研究是零散出现的。大多数研究只考察了少数几个美感的预测因素,并且只测量了主观或客观的预测因素,而不是两者都测量。美感评价和喜欢的预测因素是否不同尚未得到检验,也没有检验对于艺术的主要区别(如抽象画与具象画),预测因素是否不同。此外,过去的研究要么依赖于实验者生成的刺激——这可能会产生平淡的审美体验——要么依赖于高质量艺术的策展——从而限制了预测分数的范围。我们报告了一项研究(N=598),该研究为 240 幅抽象画和 240 幅具象画测量了 4 个主观和 11 个客观的美感评价和喜欢评价的预测因素,这些画在美感上差异很大。评价中出现了交叉模式,即对于抽象画,喜欢的评价高于美感的评价,而对于具象画,美感的评价高于喜欢的评价。我们的主观预测因素比客观预测因素的预测效果好得多,对于具象画的预测效果比抽象画好得多。对于抽象画,喜欢的评价比美感的评价更具可预测性。文章讨论了其意义和未来研究的方向。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/483c/6034882/18808e1e2954/pone.0200431.g001.jpg

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