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表情作为符号及其对情感发展的意义。

Expressions as signs and their significance for emotional development.

机构信息

Institute for Psychology in Teaching and Education, University of Münster.

出版信息

Dev Psychol. 2019 Sep;55(9):1812-1829. doi: 10.1037/dev0000698.

DOI:10.1037/dev0000698
PMID:31464488
Abstract

For research on emotional development, defining emotions as psychological systems of appraisals, expressions, body reactions, and subjective feelings in all phases of ontogenesis raises tricky methodological issues. How can we measure single emotions when appraisals and feelings cannot be assessed from outside, when expressions do not seem to be tied unequivocally to single emotions, and feelings are sometimes decoupled from perceivable expressions? Furthermore, how does a restricted set of neonate emotions differentiate into a culturally modified set of adult emotions? This article presents an innovative answer to these issues by applying Vygotsky's culture-historical approach on the psychological significance of social signs to the analysis of emotion, expression, and their development. The core assumption is that humans learn to use emotional expressions as communicative signs that appeal to another person to regulate their interaction through emotions and as psychological signs that appeal to the self to regulate the self's actions through emotions. This twofold function assigns a significant mediating role to expression for not only culture-historical and ontogenetic differentiation but also a growing awareness, self-regulation, and mental processing of emotions. The article describes three stages of emotional development supported by empirical evidence on how a biologically given set of neonate emotions are transformed into a culturally modified set of conscious, sign-mediated emotions that enables a decoupling of expression and feeling. (PsycINFO Database Record (c) 2019 APA, all rights reserved).

摘要

对于情感发展的研究,将情感定义为心理评价、表达、身体反应和主观感受的系统,这在个体发生的所有阶段都提出了棘手的方法论问题。当评价和感受无法从外部评估时,当表达似乎与单一情感没有明确联系,并且感受有时与可感知的表达分离时,我们如何测量单一情感?此外,有限的新生儿情感集合如何分化为文化修饰的成人情感集合?本文通过将维果茨基的文化历史方法应用于社会符号的心理意义,对情感、表达及其发展进行分析,为这些问题提供了创新的答案。核心假设是,人类学会将情感表达用作交际符号,通过情感吸引他人来调节他们的互动,以及作为心理符号,通过情感吸引自己来调节自己的行为。这种双重功能赋予了表达重要的中介作用,不仅对文化历史和个体发生的分化,而且对情感的日益增强的意识、自我调节和心理加工都具有重要的中介作用。本文描述了三个情感发展阶段,并提供了实证证据,说明如何将一组生物给定的新生儿情感转化为一种文化修饰的有意识、符号介导的情感,从而实现表达和感受的分离。(PsycINFO 数据库记录(c)2019 APA,保留所有权利)。

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