Gildersleeve Jessica, Cantrell Kate, Bryce India, Daken Kirstie, Durham Jo, Mullens Amy, Batorowicz Beata, Johnson Rhiannan
School of Humanities and Communication, University of Southern Queensland, Australia.
School of Education, University of Southern Queensland, Australia.
Heliyon. 2022 May;8(5):e09454. doi: 10.1016/j.heliyon.2022.e09454. Epub 2022 May 22.
The experience of the COVID-19 pandemic can be recognised as traumatic for the way in which its sudden and unexpected onset disrupted a sense of ordinary life for so many around the world. Adults, and far less so children, were unable to prepare for the danger of the rapidly spreading disease. As such, both were left vulnerable to the experience of trauma and anxiety that surrounds the threat of COVID. Whereas adults, however, have access to a range of resources and strategies for mental health protection, children of various ages need targeted resources to enable them to understand, prepare for, and come to terms with a trauma situation. A great deal of research exists around the value of children developing their own narratives as a means of coming to terms with trauma, such that storytelling is identified as a primary coping device. Similarly, literature exists that compares parental narratives of trauma with those of their children. Moreover, the use of the fairy tale as a cautionary tale has long been examined. What has not been established is the way in which contemporary multimedia narratives - such as television programmes, animations, and digital stories - can be used to develop coping strategies in children and to mitigate anxiety in young people experiencing global or collective trauma. This article examines a selection of such narratives produced for Australian children during the COVID-19 pandemic. Through a cross-disciplinary framework, this work considers how these resources can help (or hinder) mental health recovery in young children under the age of five, as well as strategies for best practice in the future development of trauma-informed resources for this age group.
新冠肺炎疫情的经历可被视为具有创伤性,因为其突然且意外的爆发扰乱了全球众多人的日常生活感。成年人,而儿童的情况则远非如此,无法为这种迅速传播的疾病的危险做好准备。因此,两者都容易受到围绕新冠疫情威胁的创伤和焦虑体验的影响。然而,成年人可以获得一系列心理健康保护资源和策略,而不同年龄段的儿童则需要有针对性的资源,以使他们能够理解、应对并接受创伤情况。关于儿童通过构建自己的故事来应对创伤的价值,已有大量研究,因此讲故事被视为一种主要的应对手段。同样,也有文献将父母对创伤的叙述与孩子的叙述进行比较。此外,长期以来人们一直在研究将童话故事用作警示故事的方式。尚未确定的是,当代多媒体叙事——如电视节目、动画片和数字故事——如何能够用于培养儿童的应对策略,并减轻经历全球或集体创伤的年轻人的焦虑。本文考察了在新冠肺炎疫情期间为澳大利亚儿童制作的一系列此类叙事作品。通过一个跨学科框架,这项研究探讨了这些资源如何帮助(或阻碍)五岁以下幼儿的心理健康恢复,以及为该年龄组未来开发创伤知情资源的最佳实践策略。