Picard Meigan, Gaetz Michael
School of Kinesiology, University of the Fraser Valley, Chilliwack, BC, Canada.
BMC Psychol. 2025 Apr 11;13(1):368. doi: 10.1186/s40359-025-02653-9.
To determine whether a sample of pre-professionally trained, professional, and retired ballet dancers experienced body dysmorphia, eating disorders (EDs), perfectionism, Obsessive-Compulsive Disorder (OCD), anxiety, depression, substance use, sexual abuse, and injuries within ballet culture.
A total of 10 female ballet dancers aged 18-25 years of age participated in a structured interview either in-person or online via Zoom. Interview questions were open-ended to capture the richness of participant responses. The Exercise Science Thematic Analysis Model was utilized to analyze the participant responses. This study used a semantic focus and what has been described as a 'top-up' or deductive approach. The purpose of the study was to determine whether body dysmorphia, EDs, perfectionism, OCD, anxiety, depression, substance use, sexual abuse, and injuries were described in the participant narrative.
Participant responses were organized into the following categories: the overarching theme, themes, sub-themes, level one emerging themes (emergent in > or = 5 participant responses), and level two emerging themes (emergent in < 5 participant responses). The overarching theme was cyclic trauma with two themes: lack of control/inconsistency/instability and perfectionism. Subthemes included body dysmorphia and EDs, mental health, injuries, sexual violence and substance use. The majority of the participants (60%) expressed feeling a of lack of control, instability, and/or inconsistency in the ballet world. Eight out of ten (80%) participants provided responses consistent with perfectionism. All participants stated that the subthemes body dysmorphia/EDs, mental health, and sexual violence were problematic in ballet culture. Injuries emerged as a subtheme in 70% of interviews and substance use was mentioned by 30% of participants although no participants had first-hand experience with substance use in the context of ballet. Complex-Post Traumatic Stress Disorder (C-PTSD) emerged as a theme which was unexpected and thus, requires further exploration in future research with ballet dancers.
The findings of this study indicate that ballet environments expose dancers to several health risk factors. Steps should be taken to reduce the risk of harm associated with these health risk factors.
确定一组接受过专业前训练、专业的和退休的芭蕾舞演员是否经历过身体变形障碍、饮食失调、完美主义、强迫症、焦虑、抑郁、物质使用、性虐待以及芭蕾舞文化中的伤病情况。
共有10名年龄在18至25岁之间的女性芭蕾舞演员通过面对面或通过Zoom在线方式参与了结构化访谈。访谈问题为开放式,以获取参与者回答的丰富内容。运用运动科学主题分析模型对参与者的回答进行分析。本研究采用语义聚焦以及所谓的“补充”或演绎方法。该研究的目的是确定参与者的叙述中是否描述了身体变形障碍、饮食失调、完美主义、强迫症、焦虑、抑郁、物质使用、性虐待和伤病情况。
参与者的回答被分为以下几类:总体主题、主题、子主题、一级新出现主题(在≥5名参与者的回答中出现)和二级新出现主题(在<5名参与者的回答中出现)。总体主题是循环创伤,有两个主题:缺乏控制/不一致/不稳定和完美主义。子主题包括身体变形障碍和饮食失调、心理健康、伤病、性暴力和物质使用。大多数参与者(60%)表示在芭蕾舞界感到缺乏控制、不稳定和/或不一致。十分之八(80%)的参与者给出了与完美主义相符的回答。所有参与者都表示,身体变形障碍/饮食失调、心理健康和性暴力等子主题在芭蕾舞文化中存在问题。伤病在70%的访谈中成为子主题,30%的参与者提到了物质使用,不过没有参与者在芭蕾舞背景下有物质使用的第一手经历。复杂性创伤后应激障碍(C-PTSD)成为一个主题,这是出乎意料的,因此,需要在未来对芭蕾舞演员的研究中进一步探索。
本研究结果表明,芭蕾舞环境使舞者面临多种健康风险因素。应采取措施降低与这些健康风险因素相关的伤害风险。