Vision and Cognition Group, Department of Experimental Psychology, Faculty of Behavioural and Social Sciences, University of Groningen, Groningen, The Netherlands.
PLoS One. 2011 Apr 21;6(4):e18861. doi: 10.1371/journal.pone.0018861.
Visual perception is not a passive process: in order to efficiently process visual input, the brain actively uses previous knowledge (e.g., memory) and expectations about what the world should look like. However, perception is not only influenced by previous knowledge. Especially the perception of emotional stimuli is influenced by the emotional state of the observer. In other words, how we perceive the world does not only depend on what we know of the world, but also by how we feel. In this study, we further investigated the relation between mood and perception.
We let observers do a difficult stimulus detection task, in which they had to detect schematic happy and sad faces embedded in noise. Mood was manipulated by means of music. We found that observers were more accurate in detecting faces congruent with their mood, corroborating earlier research. However, in trials in which no actual face was presented, observers made a significant number of false alarms. The content of these false alarms, or illusory percepts, was strongly influenced by the observers' mood.
As illusory percepts are believed to reflect the content of internal representations that are employed by the brain during top-down processing of visual input, we conclude that top-down modulation of visual processing is not purely predictive in nature: mood, in this case manipulated by music, may also directly alter the way we perceive the world.
视觉感知不是一个被动的过程:为了有效地处理视觉输入,大脑会主动利用先前的知识(例如记忆)和对世界应该是什么样子的期望。然而,感知不仅受先前知识的影响。特别是对情绪刺激的感知受到观察者情绪状态的影响。换句话说,我们如何感知世界不仅取决于我们对世界的了解,还取决于我们的感受。在这项研究中,我们进一步研究了情绪和感知之间的关系。
我们让观察者做一项困难的刺激检测任务,他们必须在噪声中检测嵌入的 schematic 快乐和悲伤的面孔。情绪是通过音乐来操纵的。我们发现,观察者在检测与自己情绪一致的面孔时更准确,这证实了早期的研究。然而,在没有实际面孔呈现的试验中,观察者会做出大量的错误警报。这些错误警报的内容,或错觉,强烈地受到观察者情绪的影响。
由于人们认为错觉反映了大脑在自上而下地处理视觉输入时所使用的内部表象的内容,因此我们得出结论,视觉处理的自上而下的调制本质上不是纯粹预测性的:在这种情况下,由音乐操纵的情绪也可能直接改变我们感知世界的方式。