Kuchenbuch Anja, Paraskevopoulos Evangelos, Herholz Sibylle C, Pantev Christo
Institute for Biomagnetism and Biosignalanalysis, University of Münster, Münster, Germany.
Montreal Neurological Institute, McGill University, and International Laboratory for Brain, Music, and Sound Research (BRAMS), Montreal, Canada ; German Center for Neurodegenerative Diseases (DZNE), Bonn, Germany.
PLoS One. 2014 Jan 21;9(1):e85743. doi: 10.1371/journal.pone.0085743. eCollection 2014.
Perception of our environment is a multisensory experience; information from different sensory systems like the auditory, visual and tactile is constantly integrated. Complex tasks that require high temporal and spatial precision of multisensory integration put strong demands on the underlying networks but it is largely unknown how task experience shapes multisensory processing. Long-term musical training is an excellent model for brain plasticity because it shapes the human brain at functional and structural levels, affecting a network of brain areas. In the present study we used magnetoencephalography (MEG) to investigate how audio-tactile perception is integrated in the human brain and if musicians show enhancement of the corresponding activation compared to non-musicians. Using a paradigm that allowed the investigation of combined and separate auditory and tactile processing, we found a multisensory incongruency response, generated in frontal, cingulate and cerebellar regions, an auditory mismatch response generated mainly in the auditory cortex and a tactile mismatch response generated in frontal and cerebellar regions. The influence of musical training was seen in the audio-tactile as well as in the auditory condition, indicating enhanced higher-order processing in musicians, while the sources of the tactile MMN were not influenced by long-term musical training. Consistent with the predictive coding model, more basic, bottom-up sensory processing was relatively stable and less affected by expertise, whereas areas for top-down models of multisensory expectancies were modulated by training.
对我们周围环境的感知是一种多感官体验;来自不同感官系统(如听觉、视觉和触觉)的信息不断整合。需要多感官整合具备高时间和空间精度的复杂任务,对其潜在网络提出了很高要求,但任务经验如何塑造多感官处理在很大程度上尚不清楚。长期音乐训练是大脑可塑性的一个绝佳模型,因为它在功能和结构层面塑造人类大脑,影响一系列脑区网络。在本研究中,我们使用脑磁图(MEG)来探究听觉 - 触觉感知在人脑中是如何整合的,以及与非音乐家相比,音乐家是否表现出相应激活的增强。通过一个允许研究联合及单独的听觉和触觉处理的范式,我们发现了一种在额叶、扣带回和小脑区域产生的多感官不一致反应,一种主要在听觉皮层产生的听觉失配反应,以及一种在额叶和小脑区域产生的触觉失配反应。音乐训练的影响在听觉 - 触觉以及听觉条件下均有体现,表明音乐家的高阶处理得到增强,而触觉失配负波的来源不受长期音乐训练的影响。与预测编码模型一致,更基础的自下而上的感官处理相对稳定,受专业知识影响较小,而多感官预期的自上而下模型的区域则受训练调节。