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23例任务特异性震颤音乐家的流行病学及治疗

Epidemiology and treatment of 23 musicians with task specific tremor.

作者信息

Lee André, Furuya Shinichi, Altenmüller Eckart

机构信息

Inistitute of Music Physiology and Musicians' Medicine, Hannover University of Music, Drama and Media, Hannover, Germany.

出版信息

J Clin Mov Disord. 2014 Dec 4;1:5. doi: 10.1186/2054-7072-1-5. eCollection 2014.

Abstract

BACKGROUND

Task specific tremors in musicians have been mainly described as primary bowing tremor in string instrumentalists in relatively small sample sizes. Our aim was to describe epidemiology, risk factors, phenomenology and treatment options of this disorder in 23 musicians of different instruments.

METHODS

We included 23 professional musicians (4 female, 19 male; mean age 51.5 ± 11.4 years) with a TSTM. During anamnesis, clinical examination, by mail or via telephone patients were asked for epidemiological, phenomenological information, risk factors and treatments. We then compared our findings to primary writing tremor, the most common task specific tremor.

RESULTS

Age at onset of the TST was 44.6 ± 13.6 years and tremor appeared 35.1 ± 13.5 years after beginning to play the instrument. The majority of patients were string instrumentalists, followed by woodwind instrumentalists. Other instrumentalists were a guitarist, pianist and percussionist respectively. In contrast to primary writing tremor, we also found proximal muscles of the upper extremity involved in tremor. A positive family history was found in Prior trauma was more common than in primary writing tremor. Treatment with a positive effect on tremor were in order of efficacy: Botulinumtoxin, Primidone, Propranolol, Trihexyphenidyl. No patient had undergone deep brain stimulation.

CONCLUSION

Task specific tremor in musicians is a heterogeneous disorder with a male gender predominance that shares many commonalities with PWT. The onset age as well as the time between starting to play the instrument and tremor onset has a wide range. Because previous trauma and overuse appear to be risk factors, preventive measures against playing related injuries are necessary. There appears to be a genetic predisposition for TST. No single beneficial medication exists and treatment of patients remains highly individual. It should be discussed, whether deep brain stimulation should be offered not only to patients that do not respond to any other medication but early in the course of the disease.

摘要

背景

在相对较小的样本量中,音乐家的任务特异性震颤主要被描述为弦乐器演奏者的原发性运弓震颤。我们的目的是描述23名不同乐器演奏者中这种疾病的流行病学、危险因素、现象学和治疗选择。

方法

我们纳入了23名患有任务特异性震颤的职业音乐家(4名女性,19名男性;平均年龄51.5±11.4岁)。在问诊、临床检查过程中,通过邮件或电话向患者询问流行病学、现象学信息、危险因素和治疗情况。然后我们将研究结果与原发性书写震颤(最常见的任务特异性震颤)进行比较。

结果

任务特异性震颤的发病年龄为44.6±13.6岁,震颤出现在开始演奏乐器35.1±13.5年后。大多数患者是弦乐器演奏者,其次是木管乐器演奏者。其他乐器演奏者分别是一名吉他手、一名钢琴家和一名打击乐手。与原发性书写震颤不同,我们还发现上肢近端肌肉也参与了震颤。阳性家族史比原发性书写震颤更常见。对震颤有积极作用的治疗方法按疗效排序为:肉毒杆菌毒素、扑米酮、普萘洛尔、苯海索。没有患者接受过脑深部刺激。

结论

音乐家的任务特异性震颤是一种以男性为主的异质性疾病,与原发性书写震颤有许多共同之处。发病年龄以及开始演奏乐器到震颤发作之间的时间范围很广。由于既往创伤和过度使用似乎是危险因素,因此有必要采取预防演奏相关损伤的措施。任务特异性震颤似乎存在遗传易感性。不存在单一有效的药物,对患者的治疗仍然高度个体化。应该讨论是否不仅要向对任何其他药物都无反应的患者提供脑深部刺激,而且要在疾病早期就提供。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/4cdf/4677731/6becaa44182c/40734_2014_7_Fig1_HTML.jpg

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