Department of Electrical and Computer Engineering, Stony Brook University, Stony Brook, New York, United States of America.
School of Art, Texas Tech University, Lubbock, Texas, United States of America.
PLoS One. 2024 Nov 6;19(11):e0305943. doi: 10.1371/journal.pone.0305943. eCollection 2024.
Computational modeling of artwork meaning is complex and difficult. This is because art interpretation is multidimensional and highly subjective. This paper experimentally investigated the degree to which a state-of-the-art Deep Convolutional Neural Network (DCNN), a popular Machine Learning approach, can correctly distinguish modern conceptual art work into the galleries devised by art curators. Two hypotheses were proposed to state that the DCNN model uses Exhibited Properties for classification, like shape and color, but not Non-Exhibited Properties, such as historical context and artist intention. The two hypotheses were experimentally validated using a methodology designed for this purpose. VGG-11 DCNN pre-trained on ImageNet dataset and discriminatively fine-tuned was trained on handcrafted datasets designed from real-world conceptual photography galleries. Experimental results supported the two hypotheses showing that the DCNN model ignores Non-Exhibited Properties and uses only Exhibited Properties for artwork classification. This work points to current DCNN limitations, which should be addressed by future DNN models.
艺术品意义的计算建模是复杂且困难的。这是因为艺术解释是多维的且高度主观的。本文通过实验研究了最先进的深度卷积神经网络(DCNN),一种流行的机器学习方法,在多大程度上可以正确地将现代概念艺术作品分为艺术策展人设计的画廊。提出了两个假设来表明 DCNN 模型使用展览属性进行分类,如形状和颜色,但不使用非展览属性,如历史背景和艺术家意图。使用为此目的设计的方法对这两个假设进行了实验验证。在 ImageNet 数据集上预训练的 VGG-11 DCNN 经过有区别的微调,在从现实世界的概念摄影画廊设计的手工制作数据集上进行训练。实验结果支持这两个假设,表明 DCNN 模型忽略非展览属性,仅使用展览属性进行艺术品分类。这项工作指出了当前 DCNN 的局限性,未来的 DNN 模型应解决这些局限性。